Saturday, March 22, 2014

Giant robot led recovery (and Giant Clive)


 

I like a country that has its own special brand of government priorities.  From the Japan Times:
With its mountains of public debt, a nuclear meltdown to mop up and the 2020 Olympics bill, you’d think the last thing the Japanese government would be spending taxpayer money on is a study on robots in science fiction.

But as the Terminator once said: “Wrong.”

From the halls of Kasumigaseki comes “Japanese Animation Guide: The History of Robot Anime,” a 90-page inquiry commissioned by the Agency for Cultural Affairs and its Manga, Animation, Games, and Media Art Information Bureau.

The bureau’s boffins seem intent on capitalizing on what remains of Japan’s gross national cool as perceived overseas. Cool Japan, a concept now more than a decade old, has been parlayed into national policy, and the agency commissioned the report as an initial framework for discussing the key pillar of anime with people overseas. The robot study could be the first of several examining different anime genres.
The report goes on to note the enduring popularity in Japan of giant robots, Gundam in particular.  Giant Gundam models get the public out, as you can see above.

I wonder if someone is working on making big Japanese robots that move.  Maybe a full size Gundam is out of the question, but even a half or third scale one might be impressive.  And maybe just wheels for the feet, instead of having to worry about the trickery of walking.  But giant robots gliding down the street on their power - yes, that would be something to see.  I think I can probably interest Clive Palmer in this as a new manufacturing enterprise for Australia.   The only thing is, the first giant robot he would make would probably be a version of himself.

And speaking of Clive, I wonder how his robot dinosaur resort is going.  Tripadviser comments make for some fun reading, although there seems to be a somewhat suspicious pushback to me.  Some of the comments which made me smile:
* Our overall experience with the staff was poor - they were either inexperienced, had a poor attitude or had too much to do to provide any real guest services.

For example, the front desk did not know which of the restaurants was licensed. When we rang Palmer Grill to find out what time it opened we were asked "Why?"...
Stay away from any room near the Palmersaurus - the constant pathetic bleating of the dinosaurs cuts through any attempt at tranquility or peace. ...
Mr Palmer has chosen to closely associate himself with the Resort - there are photos, cartoons, articles plastered on walls; the signs make it clear that the Resort, the dinosaurs, the Grill are all "Palmer"; the Clive Palmer political buses and signs sit in the carpark; there are TV channels dedicated solely to him and his business interests.
Another visitor didn't care for the Palmer TV either:
*   The three TV channels devoted to the 'resort' owner and the many photos and in-your-face signs bearing his name around the resort are straight out of a sitcom.
Other recurring themes:  hardly any staff; those remaining stressed out; eateries closed; musty smelling rooms; dinosaurs pathetic.

Hedley Thomas, while obviously reporting to do political harm to Palmer, nonetheless gave us some interesting background in February:
Executive and senior staff at the resort who have walked out in the past eight weeks include the resort's head, Bill Schoch, who made an unsuccessful tilt for the federal seat of Fisher as a PUP candidate; the general manager, John Eaton; and the directors of engineering, rooms, finance, spa, and restaurants, as well as the managers of housekeeping and engineering. 
Sounds doomed to me.  Just like Palmer's political career.   Never in the history of Australian politics has there been a personality based party more obviously destined for fractious disintegration. 

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