Tuesday, June 03, 2014

There's much to be said for not being an artistic prodigy

As I always say, those of us who have no particular artistic talent at least have the consolation that we don't share the personal foibles that so often seem to accompany artistic prodigies.

I don't think I have ever read much about Beethoven's personal life before, but this review of a new book that concentrates on it indicates he was (yet another) eccentric and difficult artistic genius.  Some extracts:
In truth, Beethoven thrived as a strong-willed but socially adept virtuoso pianist and composer for his first 25 years or so. As he developed hearing problems in his late 20s, however, and moved toward the realization that the malady was irreversible, he began to turn inward. As he descended into deafness in his 30s and 40s, he grew increasingly mercurial, irritable, and paranoid. At times, he appeared to be fully irrational. He wrote emotional confessionals and fought with members of his family. He flirted with numerous women but was unable to sustain a lasting relationship. He moved restlessly from dwelling to dwelling, changing residences in Vienna more than 30 times in 35 years. A smart dresser in his youth, he appeared increasingly unkempt and disheveled. In his final decade, he became so dissipated that he was once mistaken for a vagabond and thrown into jail. By any measure, Beethoven’s personal life was bizarre....

The Beethovenian paradox of “crisis and creativity”—to use the phrase coined by Solomon—has been well described in the past. But no one before Suchet has focused quite so intensely, and so eagerly, on the crisis part—and the composer’s melodramatic highs and lows: stopping the orchestra during an already overly long performance and insisting that the players start again from the beginning; refusing to bow before passing royalty when walking in the park with Goethe; receiving a distinguished visitor with an unemptied chamber pot under the piano. Such stories, well known to historians, are too good to make up.

The review also touches on a huge fight over guardianship of a nephew Karl (with poor Karl attempting suicide at the age of 20), fights with his patron, and more.  But seeing this blog always likes to note gastrointestinal problems of the famous (well, Hitler in particular), it's interesting to note that Beethoven was also a sufferer:
Suchet also presents ongoing reports regarding Beethoven’s gastrointestinal issues, which run through the book like an idée fixe. These begin with a description of the stomach pains and diarrhea that Beethoven experienced before his first concert at the Burgtheater in Vienna in 1794, followed by periodic updates on his irritable bowel syndrome, bad digestion, irregularity, acute constipation, colic, distended stomach, and more. While these disorders have been noted elsewhere, they are presented in unusual detail here, so much so that one begins to wonder whether the book might have been more aptly titled The Inner Beethoven. This may be more information about Beethoven’s bodily functions than we want to know.

Yet another candidate for an episode of the TV series concept I'm trying to sell to HBO about time travelling doctors delivering fecal transplants!   (Oddly, they're not returning my emails.)

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