True crime issues

From an NPR review of a book about an apparently over-looked serial killer in New York in the early 1990's, this paragraph about "true crime" writing (and TV - it's really getting too prominent on Netflix, if you ask me) sounds about right:

Last Call is journalist Elon Green's first book, but he is not new to the genre of true crime, nor is he a stranger to the problems that lie within it, most notably the genre's enduring, pernicious whiteness, and how it has trained us to believe that white women are most often the victims of murder (this is not true; the most commonly murdered demographic are men, by other men). The genre has also trained us into believing that serial killers are masterminds, evil geniuses, rather than opportunists who get lucky — or that they treat murder like some kind of art (a la Hannibal). In other words, the killers often become the focus, the object of fascination.

This is not true in Last Call, which puts the victims first, and which, when it does reveal the discovery of the killer, doesn't attempt to make him seem like an anti-hero.

Another bit from further down, which I hadn't heard of before:

There's a stink to the judge's decision that's reminiscent of the attitude police had when one of Jeffrey Dahmer's victims, drugged, naked, and bleeding, escaped into the street only to be politely returned to Dahmer's clutches by police officers who chalked up the incident as a "domestic squabble between homosexuals" (the victim, Konerak Sinthasomphone, was 14; Dahmer was 31).

Wow.

By the way, there is a little bit more description of the murders - committed by a gay man who found his victims in New York's gay bar scene in the early 1990's - in this review of the book at The Guardian.