Amongst the many articles about the historical "claims" in the Da Vinci Code, the one in Slate recently seemed to me to be one of the better summaries.
(I started the book, but the writing style has put me off coming back to it. I think it is worse than Michael Crichton on a bad day, and that's saying something.)
UPDATE: For the most savage, and very funny, review of the movie read Anthony Lane's in The New Yorker. There are so many lines I would like to quote, I just don't know which one to pick. Just go read it.
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