Let us pray at the Church of the Missing Head - Comment - Times Online
A funny/serious criticism of what passes for Art in Britain now:
There is no reason why anyone even vaguely familiar with the risible modus operandi of the contemporary art world should be surprised at what happened to David Hensel’s sculpture of a laughing head entitled One Day Closer to Paradise. He submitted it to the academy but, in the course of transit, it got mistakenly separated from its plinth. The empty plinth was judged on its own merit to be worthy of exhibition, while the sculpture itself was rejected.
Sounds hard to believe, but it seems to be serious.
As the article then explains:
When, in 1917, Marcel Duchamp handed down his great commandment that, henceforth, anything can be art, he unwittingly kicked off a new religion. He supplied generations of talentless students (and professors) with a charlatan’s charter. The brainless fanatics of this simple creed are now teaching in every art school in the country. Indeed, we’ve been suffering this intolerant and prescriptive orthodoxy for decades because, under the auspices of the new faith’s high priests at the Tate and the Arts Council, this religion, state-funded needless to say, runs all aspects of contemporary art on our behalf. ....
For those of us who are completely baffled by the decisions of the State Art religion, the Arts Council has recently supplied a handbook called Culture Matters. In its pages we are informed that, to qualify for Arts Council support, art must be “challenging”, because the Arts Council only believes in something called “Challenging Contemporary Art”. It sees its job not as promoting excellence across the whole range of contemporary styles but only in that corner that it deems “challenging”.
You obviously know nothing of Duchamp, or Art. Philistines like you make the art world shake it's head. Try doing some research into the developments of modernism before posting your rants.
ReplyDeleteHarumph!