Hairpiece Theatre Company presents...

I didn't see all that much of Bastard Boys. In what I did see, I found myself continually distracted by watching the attempts at re-creating Corrigan, Combet and (most of all) Kelty's hair styles. Maybe this could only have been avoided by something radical, like doing the equivalent of a "modern dress" version of Shakespeare. Yes, a "modern hair" version of the dispute.

In my other commentary (based on seeing only about a third of the show, so that I can annoy people by criticising something I haven't fully seen):

* Michael Duffy's criticism that Corrigan was shown as a loner was pretty correct. There barely seemed to be office staff around him, let alone advisers. Yet I heard the makers say he did co-operate with the writers with a 5 hour interview. He apparently hasn't seen or commented on the final product.

* It seemed, as a drama, too "bitty" and episodic, without a good dramatic structure. It jumped between snippets of court room advocacy, some (fictionalised) personal bits of fluff irrelevant to the story overall, and some parts that didn't really add anything significant. (I had forgotten about Corrigan's brother's involvement, but really, it still didn't feel important to the story overall.)

* Interestingly, Phillip Adams reports that Bill Kelty was not interviewed by the makers and is very upset about the way his role was portrayed. I heard on the radio that Greg Combet, on the other hand, told the makers that it was "just like being there."

* The whole thing suffered from Australian drama's usual small scale: most of the time the waterfront blockade looked like it was manned by about 20 -30 blokes. (I assume it was more like hundreds.) Is there some problem with getting extras to appear for free in this country? Films and TV here so often looks like it needs more busy-ness in the background just to look real.

* I remain very dubious about this whole type of exercise: letting dramatists illustrate recent history. I would much prefer to see a decent, detailed documentary attempted if the protagonists are still around.