Jason, have you already read this review? It's interesting.
I can never quite work out why Nietzsche is popular. I see that John Gray in this review says Nietzsche was not, ultimately, taking a tragic view of life. I don't know enough about him to work out if this makes sense or not, but here's the key argument:
...neither the Christian religion nor Nietzsche’s philosophy can be said to express a tragic sense of life. If Yeshua (the Jewish prophet later known as Jesus) had died on the cross and stayed dead, that would have been a tragedy. In the Christian story, however, he was resurrected and came back into the world. Possibly this is why Dante’s great poem wasn’t called The Divine Tragedy. In the sense in which it was understood by the ancients, tragedy implies necessity and unalterable finality. According to Christianity, on the other hand, there is nothing that cannot be redeemed by divine grace and even death can be annulled.
Nor was Nietzsche, at bottom, a tragic thinker. His early work contained a profound interrogation of liberal rationalism, a modern view of things that contains no tragedies, only unfortunate mistakes and inspirational learning experiences. Against this banal creed, Nietzsche wanted to revive the tragic world-view of the ancient Greeks. But that world-view makes sense only if much that is important in life is fated. As understood in Greek religion and drama, tragedy requires a conflict of values that cannot be revoked by any act of will; in the mythology that Nietzsche concocted in his later writings, however, the godlike Superman, creating and destroying values as he pleases, can dissolve and nullify any tragic conflict.
As Eagleton puts it, “The autonomous, self-determining Superman is yet another piece of counterfeit theology.” Aiming to save the sense of tragedy, Nietzsche ended up producing another anti-tragic faith: a hyperbolic version of humanism.
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