Tomorrow, tomorrow...

Oooh.  Early reviews for Brad Bird's Tomorrowland are good enough (some very positive) for me to be enthusiastic about seeing it.

Am waiting for reviews of the new Poltergeist to appear, soon...

Update:  Uh-oh.   And boy, do I mean uh-oh.  From the Time Out review (which is sort of positive) and in my bold:

 ‘Tomorrowland’ is singularly unafraid of weighty concepts, tackling climate change, our ongoing fascination with the apocalypse and the very Disney-ish idea of being ‘special’. It does get dry (some scenes feel suspiciously like TED talks) and the script’s fleeting efforts to unpick its dubious Ayn Rand-ish central ideology are completely undermined by a clunky, flat-as-a-pancake finale.

But when it puts down its copy of ‘Political Philosophy for Dummies’ and focuses on character and action, ‘Tomorrowland’ is a blast.

Update 2:  surely he's wrong.  The Guardian likes it:

It’s a brave family movie that invests in high-budget thrills without the safety-net of a franchise brand, mows down a small child with a pickup truck (it’s OK, she’s a robot), and subjects us to the sight of Hugh Laurie in black leather jodhpurs. But bolder still is Tomorrowland’s sincere attempt to jump-start humanity’s technological optimism, which it reckons stalled with the decline of the space race with potentially planet-threatening consequences. Whether or not that’s the answer to the planet’s current problems, director Brad Bird deserves praise for packing such big ideas into such an accessible, rip-roaring, retro-futurist adventure.