The road to 9/11 and beyond | Salon Books
When you dig past the weekly articles expressing the writers' ongoing horror of all things Bush, you occasionally find within a Salon article that a bit of support for the President somehow slips through.
For example, there is this week a review of a new book on the background to the 9/11 attacks which contains this line:
Today, from Bush and Cheney speeches to the nation's Op-Ed pages, we continue to be bombarded with declarations about whether the al-Qaida faithful hate America for its freedoms or for its policies. Wright's work reveals that the answer, clearly, is both.
Well, that seems close enough to count as support for the Bush "they hate us for our freedoms" speech of 20 September 2001. How nice of Salon.
You should read the review to see why the author argues this. It is interesting.
Wednesday, September 13, 2006
Tuesday, September 12, 2006
Hitchens on fear
Remembering Ari Fleischer's reign of terror. By Christopher Hitchens - Slate Magazine
Christopher Hitchens' latest Slate piece destroys a relatively small bit of ongoing anti-Bush administration mythology. Still, this type of lazy and careless journalism that this case highlights seems so common now. All rather reminiscent of the non plastic turkey.
Hitchens was on Lateline last night, but I missed most of it. Quite a pity, given this extract posted over at Tim Blair.
And to round up all recent things Hitchens (he has been busy), there was this one at Opinion Journal if anyone missed it.
Christopher Hitchens' latest Slate piece destroys a relatively small bit of ongoing anti-Bush administration mythology. Still, this type of lazy and careless journalism that this case highlights seems so common now. All rather reminiscent of the non plastic turkey.
Hitchens was on Lateline last night, but I missed most of it. Quite a pity, given this extract posted over at Tim Blair.
And to round up all recent things Hitchens (he has been busy), there was this one at Opinion Journal if anyone missed it.
Meteor boom in New Zealand
Readers report: Sonic boom in Christchurch - 12 Sep 2006 - National News
Reports are just coming in about a meteor over New Zealand causing a very loud "boom". First hand reports are at the link above.
No word yet on whether part of it hit the ground.
Reports are just coming in about a meteor over New Zealand causing a very loud "boom". First hand reports are at the link above.
No word yet on whether part of it hit the ground.
Funny Price
Matt Price: All sides cop a flegging | News | The Australian
Matt Price's column on the Queensland election is really very funny. The funniest line (out of many) is this one about weird independent Bob Katter:
To steal from Winston Churchill, the ex-Nat turned Queensland independent is a riddle wrapped in a mystery inside an enigma swallowed by a joke covered in bananas sprinkled with peanuts dipped in ethanol.
If this is a bit puzzling to an overseas reader, well, you have to know a bit about Queensland to understand.
Matt Price's column on the Queensland election is really very funny. The funniest line (out of many) is this one about weird independent Bob Katter:
To steal from Winston Churchill, the ex-Nat turned Queensland independent is a riddle wrapped in a mystery inside an enigma swallowed by a joke covered in bananas sprinkled with peanuts dipped in ethanol.
If this is a bit puzzling to an overseas reader, well, you have to know a bit about Queensland to understand.
Monday, September 11, 2006
About that Senate report
Power Line: Smiling Phases
I expect Hitchens will eventually write on this topic too, as he has already talked a lot about al Qaeda figures in Iraq. I'm sure there must a lot more on the internet about this, but I have not yet gone looking for it.
I expect Hitchens will eventually write on this topic too, as he has already talked a lot about al Qaeda figures in Iraq. I'm sure there must a lot more on the internet about this, but I have not yet gone looking for it.
Christopher Hitchens on the anniversary
Never again: America's new mantra - World - smh.com.au
Worth reading.
He was also interviewed on Radio National this morning. From the parts I heard, his points were generally along the lines contained in the article above. It should be available here later today.
Worth reading.
He was also interviewed on Radio National this morning. From the parts I heard, his points were generally along the lines contained in the article above. It should be available here later today.
Devils Tower has a birthday
'Close Encounters' rock prepares for centennial - United States - North America
So, the alien landing site celebrates 100 years as a National Monument. Congratulations.
North of Brisbane, Mt Coonowrin in the Glasshouse Mountains could substitute as a less symmetrical landing beacon. Just a little bit of blasting might create a nice flat top to give it added appeal.
So, the alien landing site celebrates 100 years as a National Monument. Congratulations.
North of Brisbane, Mt Coonowrin in the Glasshouse Mountains could substitute as a less symmetrical landing beacon. Just a little bit of blasting might create a nice flat top to give it added appeal.
A brief guide to EMP
How to survive global warming. By David Shenk - Slate Magazine
From Slate's odd, and barely useful, guide on how to survive various disasters, the entry about electro magnetic pulse is at least a bit informative in a general way.
I would also like to remind any new readers that I have previously discussed the possible use of EMP attack on Iranian nuclear facilities (not necessarily via nuclear weapons, but using the mooted "e bombs".)
From Slate's odd, and barely useful, guide on how to survive various disasters, the entry about electro magnetic pulse is at least a bit informative in a general way.
I would also like to remind any new readers that I have previously discussed the possible use of EMP attack on Iranian nuclear facilities (not necessarily via nuclear weapons, but using the mooted "e bombs".)
The Queensland election
John Quiggin - The end of the Nats
Oddly enough, this short post by John Quiggin is about the only thing I care to link to about the Queensland State election on Saturday.
It is hard to imagine how a worse run campaign could have been run by the conservatives. Springborg has never appealed to me, but then again no Nationals leader has for decades now. His campaign was also interrupted by family tragedy (his father-in-law's suicide.) I doubt that the vote would have been any different had this not happened, though.
Bruce Flegg for the Liberals clearly needed an intensive week long course on media management, and a new haircut. He came across as a goofy looking, charmless, grumpy character, with nothing very specific to say about how to fix the Health portfolio. I had heard him sometimes before he was elected leader, and I thought he came across OK. I just don't know how he let it fall apart so quickly once the election was called.
Both should be replaced, and quickly.
There has been a lack of charisma on display in the State conservative parties for so long that it seems to have become self perpetuating. I mean, what new blood wants to get involved with such a bunch of losers?
Apart from that, they seemed to have no money for advertisements, and to be pretty much policy free. (The only thing I can remember is a vague aim to have no stamp duty within 5 years. This certainly did not sound financially very sound, and even if it was done and did result in a flood of investment and people to Queensland, voters probably wondered where the water to build the new suburbs would come from.)
Ah well, I suppose the one good thing is that uniform Labor State governments helps the Liberals keep power in Canberra.
Oddly enough, this short post by John Quiggin is about the only thing I care to link to about the Queensland State election on Saturday.
It is hard to imagine how a worse run campaign could have been run by the conservatives. Springborg has never appealed to me, but then again no Nationals leader has for decades now. His campaign was also interrupted by family tragedy (his father-in-law's suicide.) I doubt that the vote would have been any different had this not happened, though.
Bruce Flegg for the Liberals clearly needed an intensive week long course on media management, and a new haircut. He came across as a goofy looking, charmless, grumpy character, with nothing very specific to say about how to fix the Health portfolio. I had heard him sometimes before he was elected leader, and I thought he came across OK. I just don't know how he let it fall apart so quickly once the election was called.
Both should be replaced, and quickly.
There has been a lack of charisma on display in the State conservative parties for so long that it seems to have become self perpetuating. I mean, what new blood wants to get involved with such a bunch of losers?
Apart from that, they seemed to have no money for advertisements, and to be pretty much policy free. (The only thing I can remember is a vague aim to have no stamp duty within 5 years. This certainly did not sound financially very sound, and even if it was done and did result in a flood of investment and people to Queensland, voters probably wondered where the water to build the new suburbs would come from.)
Ah well, I suppose the one good thing is that uniform Labor State governments helps the Liberals keep power in Canberra.
Pamela Bone on 9/11
Pamela Bone: The folly of blaming ourselves | News | The Australian
There will be many good columns on the anniversary of 9/11. Pamela Bone's one in The Australian today is fairly short but good.
There will be many good columns on the anniversary of 9/11. Pamela Bone's one in The Australian today is fairly short but good.
Sunday, September 10, 2006
Terry Lane and I agree on Australian cinema?
Sunny Steve cut through the dismals - Opinion - theage.com.au
Most of time, I read Terry Lane because there is an excellent chance that he will say something I strongly disagree with, and the flaws in his arguments are sometimes easily picked. (Especially when he writes an entire column based on a made up story.)
This week his Age column is a kind of defence of Steve Irwin, but is most notable because of his take on the state of Australian cinema:
All this is by way of putting it on record that the Lanes will not be parting with any more of their hard-earned to watch dismal Australian films. We endured the grim masterpiece Somersault. We were depressed by Look Both Ways and were shocked by the parched, unrelieved violence of The Proposition. We left half-way through the incredibly ugly Jindabyne. We didn't find a lot to laugh at in Kenny with its relentless portrayal of human nature. And we had to tie ourselves to the seat to see Last Train to Freo to the end.
We passed on the several celluloid entertainments to do with drug addiction and teenage suicide. It is all enough to make you leave the cinema desperate for the sunny optimism of Steve Irwin.
Barry Jones once observed that the characters in Australian films are typically regressive - they never make things happen, things happen to them. When was the last time that you saw a local film in which the principal characters seized control of their lives and made some good things happen and finished the film ahead of where they started? Is this how our creative elites who control the disbursement of production money see us? Is a happy ending anathema to the funding wallahs?
Gosh, even lefty atheists can dislike Australian film on the same grounds as I do. This is indeed surprising, because, I have tended to blame lefty atheists as they seem to be the only people making Australian cinema.
It has long seemed to me that modern Australia movies (since its 1970's revival) have always reflected the strong secular materialist view of the world of the arts community in this country, with any religious aspect of life either treated with disdain (such as showing clerics as being hypocrites) or, more commonly, being ignored entirely.
Of course, Phillip Adams takes great pride in his role in establishing the modern Australian cinema, and indeed it seems like everyone in the cinema community shares his (and Lane's) strident atheism, or at least a high degree of cynicism towards religion.
For me, this has always meant that an air of shallowness pervades the whole body of Australian cinema. The only supernaturalism that occasionally gets a look in might be of the aboriginal variety. For me (and, I expect, most Australians), this does not have much resonance.
It's not that many Hollywood movies have ever been overtly religious in theme. However, they are still capable of having characters who take religion seriously, and are not held up for ridicule or written as dislikeable because of it. Ghost stories or supernatural comedies can be made there; never here. What's worse, gruesome nihilistic earth-bound horror is the new genre some young Australian fim makers are getting into.
Hollywood today is not exactly a hot bed for conservative religion, but there is a sense in which I think that Hollywood cinema still treats the "big themes" of life, death and meaning in much greater depth. (Even an agnostic like Woody Allen dealt with it well in a small scale film like "Crimes and Misdemeanors") I expect that this is probably to do with the predominantly Jewish background of the American industry, even if most are now either non religious Jews, or follow the most liberal parts of Judaism.
Of course, as a nation the United States is so much more religious than Australia, so one might argue that naturally there will be writers and movie makers there who are interested in such material. None the less, it still surprises me how consistently Australian films have had this dogged lack of interest in whether there is something beyond the materialist world.
I don't have time to set out the many examples from Australian cinema that could illustrate this, but I assume that someone else has noticed this too.
Most of time, I read Terry Lane because there is an excellent chance that he will say something I strongly disagree with, and the flaws in his arguments are sometimes easily picked. (Especially when he writes an entire column based on a made up story.)
This week his Age column is a kind of defence of Steve Irwin, but is most notable because of his take on the state of Australian cinema:
All this is by way of putting it on record that the Lanes will not be parting with any more of their hard-earned to watch dismal Australian films. We endured the grim masterpiece Somersault. We were depressed by Look Both Ways and were shocked by the parched, unrelieved violence of The Proposition. We left half-way through the incredibly ugly Jindabyne. We didn't find a lot to laugh at in Kenny with its relentless portrayal of human nature. And we had to tie ourselves to the seat to see Last Train to Freo to the end.
We passed on the several celluloid entertainments to do with drug addiction and teenage suicide. It is all enough to make you leave the cinema desperate for the sunny optimism of Steve Irwin.
Barry Jones once observed that the characters in Australian films are typically regressive - they never make things happen, things happen to them. When was the last time that you saw a local film in which the principal characters seized control of their lives and made some good things happen and finished the film ahead of where they started? Is this how our creative elites who control the disbursement of production money see us? Is a happy ending anathema to the funding wallahs?
Gosh, even lefty atheists can dislike Australian film on the same grounds as I do. This is indeed surprising, because, I have tended to blame lefty atheists as they seem to be the only people making Australian cinema.
It has long seemed to me that modern Australia movies (since its 1970's revival) have always reflected the strong secular materialist view of the world of the arts community in this country, with any religious aspect of life either treated with disdain (such as showing clerics as being hypocrites) or, more commonly, being ignored entirely.
Of course, Phillip Adams takes great pride in his role in establishing the modern Australian cinema, and indeed it seems like everyone in the cinema community shares his (and Lane's) strident atheism, or at least a high degree of cynicism towards religion.
For me, this has always meant that an air of shallowness pervades the whole body of Australian cinema. The only supernaturalism that occasionally gets a look in might be of the aboriginal variety. For me (and, I expect, most Australians), this does not have much resonance.
It's not that many Hollywood movies have ever been overtly religious in theme. However, they are still capable of having characters who take religion seriously, and are not held up for ridicule or written as dislikeable because of it. Ghost stories or supernatural comedies can be made there; never here. What's worse, gruesome nihilistic earth-bound horror is the new genre some young Australian fim makers are getting into.
Hollywood today is not exactly a hot bed for conservative religion, but there is a sense in which I think that Hollywood cinema still treats the "big themes" of life, death and meaning in much greater depth. (Even an agnostic like Woody Allen dealt with it well in a small scale film like "Crimes and Misdemeanors") I expect that this is probably to do with the predominantly Jewish background of the American industry, even if most are now either non religious Jews, or follow the most liberal parts of Judaism.
Of course, as a nation the United States is so much more religious than Australia, so one might argue that naturally there will be writers and movie makers there who are interested in such material. None the less, it still surprises me how consistently Australian films have had this dogged lack of interest in whether there is something beyond the materialist world.
I don't have time to set out the many examples from Australian cinema that could illustrate this, but I assume that someone else has noticed this too.
Saturday, September 09, 2006
Slate's Weisberg gives Bush credit
We haven't been attacked since 9/11. Does Bush deserve the credit? By Jacob Weisberg - Slate Magazine
Surprisingly, for a Slate article, the answer pretty much is "yes". As you might expect, I don't agree with everything in it, but the basic arguments seem sound.
Surprisingly, for a Slate article, the answer pretty much is "yes". As you might expect, I don't agree with everything in it, but the basic arguments seem sound.
Friday, September 08, 2006
Atheists in America
Being an Atheist in America Isn't Easy - Newsweek Society - MSNBC.com
This is a good read from Newsweek: a story about the new aggressive atheism promoted by new books by Dawkins and Sam Harris.
Some interesting extracts:
In a recent NEWSWEEK Poll, Americans said they believed in God by a margin of 92 to 6% —only 2 percent answered "don't know" —and only 37 percent said they'd be willing to vote for an atheist for president. (That's down from 49 percent in a 1999 Gallup poll —which also found that more Americans would vote for a homosexual than an atheist.)
Now that really puts things in perspective!
And further down:
It is not just extremists who earn the wrath of Dawkins and Harris. Their books are attacks on religious "moderates" as well, —indeed, the very idea of moderation. The West is not at war with "terrorism," Harris asserts in "The End of Faith"; it is at war with Islam, a religion whose holy book, "on almost every page ... prepares the ground for religious conflict." Christian fundamentalists, he says, have a better handle on the problem than moderates: "They know what it's like to really believe that their holy book is the word of God, and there's a paradise you can get to if you die in the right circumstances. They're not left wondering what is the 'real' cause of terrorism."
Sort of a backhand compliment to fundamentalist Christians, I suppose.
How about this for a silly suggestion:
On the science Web site Edge.org, the astronomer Carolyn Porco offers the subversive suggestion that science itself should attempt to supplant God in Western culture, by providing the benefits and comforts people find in religion: community, ceremony and a sense of awe. "Imagine congregations raising their voices in tribute to gravity, the force that binds us all to the Earth, and the Earth to the Sun, and the Sun to the Milky Way," she writes.
Now that would be taking Nature worship to a level of meaninglessness I had never considered possible. (Surely the most ancient belief systems we know anything about at least had the good sense to praise or worship things believed to be sentient (such as the god or animating spirit behind all or part of Nature.) But praising a rock for being a rock doesn't seem a very "scientific" thing to do.
Maybe I will add more to this topic later..
This is a good read from Newsweek: a story about the new aggressive atheism promoted by new books by Dawkins and Sam Harris.
Some interesting extracts:
In a recent NEWSWEEK Poll, Americans said they believed in God by a margin of 92 to 6% —only 2 percent answered "don't know" —and only 37 percent said they'd be willing to vote for an atheist for president. (That's down from 49 percent in a 1999 Gallup poll —which also found that more Americans would vote for a homosexual than an atheist.)
Now that really puts things in perspective!
And further down:
It is not just extremists who earn the wrath of Dawkins and Harris. Their books are attacks on religious "moderates" as well, —indeed, the very idea of moderation. The West is not at war with "terrorism," Harris asserts in "The End of Faith"; it is at war with Islam, a religion whose holy book, "on almost every page ... prepares the ground for religious conflict." Christian fundamentalists, he says, have a better handle on the problem than moderates: "They know what it's like to really believe that their holy book is the word of God, and there's a paradise you can get to if you die in the right circumstances. They're not left wondering what is the 'real' cause of terrorism."
Sort of a backhand compliment to fundamentalist Christians, I suppose.
How about this for a silly suggestion:
On the science Web site Edge.org, the astronomer Carolyn Porco offers the subversive suggestion that science itself should attempt to supplant God in Western culture, by providing the benefits and comforts people find in religion: community, ceremony and a sense of awe. "Imagine congregations raising their voices in tribute to gravity, the force that binds us all to the Earth, and the Earth to the Sun, and the Sun to the Milky Way," she writes.
Now that would be taking Nature worship to a level of meaninglessness I had never considered possible. (Surely the most ancient belief systems we know anything about at least had the good sense to praise or worship things believed to be sentient (such as the god or animating spirit behind all or part of Nature.) But praising a rock for being a rock doesn't seem a very "scientific" thing to do.
Maybe I will add more to this topic later..
Brian De Palma makes a good film again?
Independent Online Edition > Features
I have remarked before that Brian de Palma has had one of the most wildly uneven careers of any famous director. For the record, I think very highly of Blow Out, The Untouchables (which he is never likely to better) and Mission Impossible (silly, but so much fun.)
The Untouchables in particular was a stunningly good film, and even though I do not have a high tolerance for graphic violence, this was one of those few genuine cases where seeing it was "necessary for the story."
On the other hand, some of the scripts he has worked with have been very bad. I saw Snake Eyes in the cinema and had trouble staying awake. Mission to Mars had a bit of a hokey script, and spent quite a bit on special effects, except when it came to the alien at the end. (Although the title for "most unconvincing recent movie alien" was soon taken over by the man in a rubber suit in "Signs". I would actually like to write at length one day about how bad I thought "Signs" was.)
Anyway, let's hope this new movie is one of his better ones.
I have remarked before that Brian de Palma has had one of the most wildly uneven careers of any famous director. For the record, I think very highly of Blow Out, The Untouchables (which he is never likely to better) and Mission Impossible (silly, but so much fun.)
The Untouchables in particular was a stunningly good film, and even though I do not have a high tolerance for graphic violence, this was one of those few genuine cases where seeing it was "necessary for the story."
On the other hand, some of the scripts he has worked with have been very bad. I saw Snake Eyes in the cinema and had trouble staying awake. Mission to Mars had a bit of a hokey script, and spent quite a bit on special effects, except when it came to the alien at the end. (Although the title for "most unconvincing recent movie alien" was soon taken over by the man in a rubber suit in "Signs". I would actually like to write at length one day about how bad I thought "Signs" was.)
Anyway, let's hope this new movie is one of his better ones.
A useful brain scan for a change
Brain scan shows that vegetative patients can think - Britain - Times Online
I have recently criticised the type of research that MRI scans have used for (finding a "God spot" in the brain, for example.)
The story above shows a much more meaningful use - finding out whether a person in a vegatitive state has awareness or not.
Mind you, it may make withdrawal of life support decisions more difficult rather than less, but it's still worth looking into.
I have recently criticised the type of research that MRI scans have used for (finding a "God spot" in the brain, for example.)
The story above shows a much more meaningful use - finding out whether a person in a vegatitive state has awareness or not.
Mind you, it may make withdrawal of life support decisions more difficult rather than less, but it's still worth looking into.
Clive leaps into the fray
Death becomes an excuse to savage 'elites' - now that's nasty - Opinion
The ruckus over Steve Irwin's status within the Australian psyche gets kicked along further by Clive Hamilton today.
Let's make it clear: my personal cringe factor about Irwin was pretty high, and I initially assumed (like just about everyone) that his on-screen persona was an act. However, over the years, there were so many people who had worked with him who said that he was really like that in private, that I found there was no reason to disbelieve them.
That he went on about conservation for crocodiles, when in fact they seem to have been conserved to excess in far north Australia for many years now, always struck me as a bit phoney. But the fact that he had a genuine affection for animals and a general concern for conservation of wild life habitat seems beyond doubt. His zoo is well run and seems to have a high level of comfort for the animals. (And unlike older style zoos, pushes the importance of conservation continually.) On the other hand, his attempted justification at taking his baby into a crocodile enclosure was hard to watch, and definitely the low point of his public life.
You get the picture: I don't idealise him by any stretch of the imagination. But the nature of the criticism by Greer, and Clive Hamilton, really is just over the top.
Clive, for example, thinks that Australians feel bad about his death because we feel guilty for encouraging him!:
But, if we are honest, the vitriolic attacks on Irwin's real and imagined critics are rooted in guilt. Whenever Irwin provoked a croc to open its jaws and lunge we were all excited by the prospect that the beast would get him, just as we watch car races anticipating a crash. The filmmakers understand that it is the frisson of danger that makes these shows popular. The close call is the money shot and any real injury would be replayed over and over.
Now Irwin has met the grisly end that excited us, we feel responsible.
In this turmoil of guilt and grief, what a relief it was to find a real target for bitterness in the form of Germaine Greer, whose only mistake was poor timing.
God Lord, how does anyone take Hamilton seriously.
Just maybe, Clive, people feel bad about attacks on him because absolutely everyone who had ever actually known him praised him as a nice guy, with a great enthusiasm for life, good intentions, and he leaves a young family behind.
On the other hand, Germaine (with, for example, her "I seek aboriginal consent whenever I want to return to Australia") presents as the genuine article when it comes to posturing dills.
UPDATE: Matt Price writes well about Irwin today. The Australian also talks about Irwin's land purchases here.
The ruckus over Steve Irwin's status within the Australian psyche gets kicked along further by Clive Hamilton today.
Let's make it clear: my personal cringe factor about Irwin was pretty high, and I initially assumed (like just about everyone) that his on-screen persona was an act. However, over the years, there were so many people who had worked with him who said that he was really like that in private, that I found there was no reason to disbelieve them.
That he went on about conservation for crocodiles, when in fact they seem to have been conserved to excess in far north Australia for many years now, always struck me as a bit phoney. But the fact that he had a genuine affection for animals and a general concern for conservation of wild life habitat seems beyond doubt. His zoo is well run and seems to have a high level of comfort for the animals. (And unlike older style zoos, pushes the importance of conservation continually.) On the other hand, his attempted justification at taking his baby into a crocodile enclosure was hard to watch, and definitely the low point of his public life.
You get the picture: I don't idealise him by any stretch of the imagination. But the nature of the criticism by Greer, and Clive Hamilton, really is just over the top.
Clive, for example, thinks that Australians feel bad about his death because we feel guilty for encouraging him!:
But, if we are honest, the vitriolic attacks on Irwin's real and imagined critics are rooted in guilt. Whenever Irwin provoked a croc to open its jaws and lunge we were all excited by the prospect that the beast would get him, just as we watch car races anticipating a crash. The filmmakers understand that it is the frisson of danger that makes these shows popular. The close call is the money shot and any real injury would be replayed over and over.
Now Irwin has met the grisly end that excited us, we feel responsible.
In this turmoil of guilt and grief, what a relief it was to find a real target for bitterness in the form of Germaine Greer, whose only mistake was poor timing.
God Lord, how does anyone take Hamilton seriously.
Just maybe, Clive, people feel bad about attacks on him because absolutely everyone who had ever actually known him praised him as a nice guy, with a great enthusiasm for life, good intentions, and he leaves a young family behind.
On the other hand, Germaine (with, for example, her "I seek aboriginal consent whenever I want to return to Australia") presents as the genuine article when it comes to posturing dills.
UPDATE: Matt Price writes well about Irwin today. The Australian also talks about Irwin's land purchases here.
Thursday, September 07, 2006
Australian art house puzzle
At the Movies: The Book of Revelation
That Margaret Pomeranz and David Stratton automatically increase any Australian movie's star rating by 1 is a given.
A further warning sign that a movie they review is not for me is when they start calling an art house style movie "challenging" or "brave". David Stratton's comments on the new film "The Book of Revelation" (which I was in no danger of rushing out to see anyway) are like a big warning sign saying "if you not an artiste, you will hate this":
DAVID: When I came out of this film I thought I've never seen a film like this before, a film that tackled these themes, a film that was so provocative, tantalising. And I was left in many ways puzzling, and I'm still in some ways puzzling, over what we were supposed to come away with from the film.
Margaret said:
I would have wished for just a little more grounding in reality in the look of the film, the power of the story comes from our ability to believe totally in Daniel’s journey, not as a dream, although that may be your ultimate interpretation.
What's it about?:
Daniel (Long) is a dancer who is kidnapped by three masked women. They chain him to a warehouse floor and sexually abuse him for roughly two weeks. This is graphically shown in the film and hence it’s R rating here in Australia.
The three women eventually release Daniel but the experience leaves him a changed man.
There would no odds given for my reaction being the same as this viewer's:
Generally, I thought this was convulated drivel.
Run away, people, run away!
That Margaret Pomeranz and David Stratton automatically increase any Australian movie's star rating by 1 is a given.
A further warning sign that a movie they review is not for me is when they start calling an art house style movie "challenging" or "brave". David Stratton's comments on the new film "The Book of Revelation" (which I was in no danger of rushing out to see anyway) are like a big warning sign saying "if you not an artiste, you will hate this":
DAVID: When I came out of this film I thought I've never seen a film like this before, a film that tackled these themes, a film that was so provocative, tantalising. And I was left in many ways puzzling, and I'm still in some ways puzzling, over what we were supposed to come away with from the film.
Margaret said:
I would have wished for just a little more grounding in reality in the look of the film, the power of the story comes from our ability to believe totally in Daniel’s journey, not as a dream, although that may be your ultimate interpretation.
What's it about?:
Daniel (Long) is a dancer who is kidnapped by three masked women. They chain him to a warehouse floor and sexually abuse him for roughly two weeks. This is graphically shown in the film and hence it’s R rating here in Australia.
The three women eventually release Daniel but the experience leaves him a changed man.
There would no odds given for my reaction being the same as this viewer's:
Generally, I thought this was convulated drivel.
Run away, people, run away!
Iron fertilization and global warming
ScienceDaily: Iron Critical To Ocean Productivity, Carbon Uptake
The story above notes:
A new study has found that large segments of the Pacific Ocean lack sufficient iron to trigger healthy phytoplankton growth and the absence of the mineral stresses these microscopic ocean plants, triggering them to produce additional pigments that make ocean productivity appear more robust than it really is.
As a result, past interpretations of satellite chlorophyll data may be inaccurate, the researchers say, and the tropical Pacific Ocean may photosynthesize 1-2 billion tons less atmospheric carbon dioxide than was previously thought. Global ocean carbon uptake is estimated at 50 billion tons, so the reduction in the estimate of the uptake is significant -- about 2 to 4 percent.
It doesn't talk directly about the idea of fertilizing the ocean with iron as a way of decreasing CO2 in the atmosphere, but surely this possible anti global warming method should start attracting more serious attention again soon.
I thought I mentioned this idea before here, but can't find the post now. Anyway, I have found a detailed Wikipedia entry about it which (while apparently written from the "pro" side) does explain some of the possible "cons" too.
Certainly sounds worth serious consideration (more so than shooting sulfur into the high atmosphere.)
UPDATE: Blogger search is obviously not working well at the moment, for some reason. Here's my earlier post where iron fertilization got a mention.
The story above notes:
A new study has found that large segments of the Pacific Ocean lack sufficient iron to trigger healthy phytoplankton growth and the absence of the mineral stresses these microscopic ocean plants, triggering them to produce additional pigments that make ocean productivity appear more robust than it really is.
As a result, past interpretations of satellite chlorophyll data may be inaccurate, the researchers say, and the tropical Pacific Ocean may photosynthesize 1-2 billion tons less atmospheric carbon dioxide than was previously thought. Global ocean carbon uptake is estimated at 50 billion tons, so the reduction in the estimate of the uptake is significant -- about 2 to 4 percent.
It doesn't talk directly about the idea of fertilizing the ocean with iron as a way of decreasing CO2 in the atmosphere, but surely this possible anti global warming method should start attracting more serious attention again soon.
I thought I mentioned this idea before here, but can't find the post now. Anyway, I have found a detailed Wikipedia entry about it which (while apparently written from the "pro" side) does explain some of the possible "cons" too.
Certainly sounds worth serious consideration (more so than shooting sulfur into the high atmosphere.)
UPDATE: Blogger search is obviously not working well at the moment, for some reason. Here's my earlier post where iron fertilization got a mention.
Drinking and flying
The Age Blogs: The Daily Truth / Terror on flight 555 Archives
If you enjoy stories about urgent needs to go to the toilet (and who doesn't?) then you should find this quite funny.
If you enjoy stories about urgent needs to go to the toilet (and who doesn't?) then you should find this quite funny.
Yet another Google innovation
BBC NEWS | Business | Google opens up 200 years of news
Hey, their corporate behaviour may be problematic when it comes to dealing with China (and other regimes?), but for the most part it is quite a remarkable job they are doing for the world.
Hey, their corporate behaviour may be problematic when it comes to dealing with China (and other regimes?), but for the most part it is quite a remarkable job they are doing for the world.
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