Jason Zinoman, who has a particular interest in horror films, reports on his attendance at a screenwriters seminar held by the famous screenwriting teacher Robert McKee.
McKee comes across as a bit of a jerk who wings it on browbeating self-confidence. Here's Jason's summary of how to replicate McKee's technique:
I wonder if McKee can explain the relative dearth of good movie ideas coming out of Hollywood for the last 5 to 10 years.Rule One: Drop names shamelessly. McKee tells us that he once received a doctor recommendation from his friend John Cleese, bummed a cigarette from Toni Morrison, and corrected his pal Paul Haggis when he confused two genres over lunch. But my favorite is his anecdote about telling Stephen Hawking (whom he calls “Hawkings”) that he has never read a book by the scientist but is fascinated by the Big Bang. I imagine Hawking rolling quickly away.
Rule Two: Never express a scintilla of doubt. McKee is insightful about some things, especially with regard to structure, but his relative knowledge or ignorance of a subject in no way affects the manner in which he discusses it. He holds forth on politics (“Terrorism is a police problem and that’s all it is”) and the theater (“there is very little crime drama onstage”) as confidently as he does on the Incitement Incident.
Rule Three: Start in a rage and end with poetry. In Adaptation, a wildly imaginative movie that first sends up, then celebrates, and ultimately condescends to McKee, the teacher advises the screenwriter that any flawed movie can be saved with a “big finish.”