We live in the world of the home-grown literary bestseller, the world of The Slap and The Secret River. We love our new stars, and celebrate the success of Favel Parrett or Toni Jordan or Craig Silvey. Our writers have careers both at home and abroad. We no longer expect our life-changing books to be written in isolation and despair, against the odds, fulfilling what Henry Lawson came to believe was the destiny of the Australian writer.
There you go: another Australian author and book, this one a "classic" apparently, which I haven't heard of.
But hang on a minute: "failed for more than a century to create any ...enduring tradition..." is a bit rich isn't it? By 1900, the country had only been around in any substantial form for a few decades. (Have a look at this chart, which indicates the white population in 1843 was barely 250,000.) Sure, Sydney University was founded in 1850 (presumably with very small class sizes,) but people coming here were hardly motivated by the weather making it a nice place in which to write books, and it's hard to imagine University courses of the early 20th century being designed around the works of Henry Lawson (or some such.)
In any event, I'm not entirely sure why Universities need to "teach" modern literature at all, but that's just me a being a not-very-arty philistine, I suppose; even though readers of this blog may think I am more "arts" inclined that I really am due to my reports on the latest weird installations at Brisbane's GOMA. I can see the value in studying (as opposed to merely experiencing) literature from the point of view of what it tells us about societies' and individual's attitudes in the past, and the arc of their development over time; this applies especially to really old literature. But the study of modern literature when there is plenty of other material around about the society it was written in; well, after the first 5 years of analysis of a particularly complex book, I am not entirely sure what more there is to be said or taught, and you could probably now find most of that analysis for free on the net instead of going to university.
Anyhow, Hayworth's complaint about good Australian books being out of print would, one expects, be answered by the increasing use of e-readers. Surely it can't be very expensive to put them out in electronic format, and even develop a specialised field of advertising for formerly acclaimed books which have been out of print for some years.
If the publishing industry can't work out how to do that, Andrew, I'd say it's pretty much their own fault, and I wouldn't blame it on Universities at all.