Just saw the new Star Wars - which is a more literal way of putting it than you might think, if you haven't been reading the reviews.
On the down side, I did have to suppress a scream due to a key plot feature which I warned the world would disappoint me. But on the upside, the film is in most respects more Empire that Wars, in that the key action and drama is more one-on-one, human-centric, than on the "X Wings versus yet another gigantic space ball weapon" scale.
Yes, Christopher Orr was right: the movie is pretty much a "mashup masterpiece"; and so was the more cynical Anthony Lane (who pretty obviously enjoyed it anyway) when he writes that the movie "feels young" and "as an act of pure storytelling, streams by with fluency and zip." (It really does seem to take only about 3/4 of its actual length, and the pacing always feels just right.)
Yeah, I have to give JJ Abrams his due: this is pretty well directed. And well scripted - there's an air of mature credibility to much of the dialogue that is so refreshing after the terrible lines in the prequels.
So while I did enjoy it for what it is, the best thing is perhaps that this is all the mashup-ery that is really possible in the series, so that the next movie must surely have to tread some new ground. They can't just recycle Empire, can they? It's my new hope that they can't. (Heh...)
[And on a "meta" observation: this has been a huge, huge year for movie franchises that have revisited their past. Certainly, there was a large element of it in Spectre; and with Mission Impossible, it was once again a case of Hunt having to defy the authorities and work in some sort of unauthorised ghost-like mode. Jurassic World was in many respects rather like the first, but with hundreds of victims in a cooler looking mega park. The trouble is, as much as I would like a bit more originality, I enjoyed all of them a great deal, and they all were pretty huge hits. I guess we only have ourselves to blame if we don't get more plot novelty.]
Tuesday, December 22, 2015
Monday, December 21, 2015
An unusual movie recommendation
You don't need children to watch Shaun the Sheep Movie, and it did much to redeem Aardman studio in my mind, after some dud material of late. (Well, The Pirates is from 2012 I see - seems longer ago than that - and it was not good, in my opinion.)
Lucky residents of Hobart
Powerful aurora australis puts on spectacular display of Christmas lights in Tasmania - ABC News (Australian Broadcasting Corporation)
And some people go travelling all the way to Norway to get a glimpse of them...
And some people go travelling all the way to Norway to get a glimpse of them...
A touch of the Don Quixote's about him
I generally avoid Spiked, largely because I can't bear the whiny, hectoring voice of Brendan O'Neill complaining every column about the whiny, hectoring voices of the Left.
But this Spiked Review interview with Roger Scruton is interesting. He has a new (or updated) book out, complaining about the rise and (in his mind) continuing influence of the style of Left wing intellectualism that got going in the 1960's. I think these are the key paragraphs summarising Scruton's view:
All rather interesting.
But this Spiked Review interview with Roger Scruton is interesting. He has a new (or updated) book out, complaining about the rise and (in his mind) continuing influence of the style of Left wing intellectualism that got going in the 1960's. I think these are the key paragraphs summarising Scruton's view:
In Fools, Frauds and Firebrands Scruton attacks the left idea of thought for a cause, ‘politics with a GOAL’. By contrast, he tells me, ‘Conservatives are by their nature people who are trying to defend and maintain existence without a cause’. Simply to keep things as they are? ‘We obviously all want to change things, but recognising that human life is an end in itself and not a means to replace itself with something else. And defending institutions and compromises is a very difficult and unexciting thing. But nevertheless it’s the truth.’But the interviewer makes an obvious point, and one which is similar to what I've been saying from time to time about the "culture wars" as it is playing out in Australian right wing politics:
For Scruton, the left intellectuals’ apparent attachment to a higher cause only disguises what they really stand for: ‘Nothing.’ He writes that ‘when, in the works of Lacan, Deleuze and Althusser, the nonsense machine began to crank out its impenetrable sentences, of which nothing could be understood except that they all had “capitalism” as their target, it looked as though Nothing had at last found its voice’. More recently, ‘the windbaggery of Zizek and the nonsemes of Badiou’ exist only ‘to espouse a single and absolute cause’, which ‘admits of no compromise’ and ‘offers redemption to all who espouse it’. The name of that cause? ‘The answer is there on every page of these fatuous writings: Nothing.’
The slightly pained look on his face suggests that I am not the first to ask Scruton why he has devoted a book to taking on a collection of largely declining or deceased intellectuals and a culture that he concedes ‘now survives largely in its academic redoubts’. ‘They may seem like obscure intellectuals to the man in the street but actually they are still dominant on the humanities curriculum’, he explains. ‘If you study English or French, even musicology or whatever, you have to swallow a whole load of Lacan and Deleuze. Take Deleuze’s book, A Thousand Plateaus – the English translation has only been out a few years, but it’s already gone through 11 printings. A huge, totally unreadable tome by somebody who can’t write French.’
‘Yet this is core curriculum throughout the humanities in American and English universities. Why? The one sole reason is it’s on the left. There is nothing that anybody can translate into lucid prose, but for that very reason, it seems like a suit of armour around the age-old prejudices against power and authority, the old unshaped and unshapeable agenda.’Hmmm. Many of the comments following the article are very good, and some go straight to the point that he's attacking a bit of a straw man:
He is a populist conservative who creates a grotesque caricature of the left, focusing on the nuttiest currents of academic leftism, then lumps all liberal thought in the same category and presents conservatism as a healthy and rational alternative. By and large this is how the new conservatism works. Part of it is the martyrdom fallacy, that is, presenting conservatism as the silenced victim who has "uncomfortable truths" to tell. The supposed outrage of the left at hearing these "truths" is presented as evidence that something true really was said. Needless to say, ad hominem attacks like these are never evidence.For a more sympathetic, but still critical, take, try this one:
I have a lot of time for Scruton. As a young person in the 80's all the arguments seemed to be coming either from the social liberal, "progressive" left, or from the Thatcherite neo-liberal right, both of which I found wanting, for various reasons. I'd alway been attracted to ideas, but had a conservative outlook for more instictive reasons, and so reading Scruton a lot later gave an intellectual justification for what was an essentially non-intellectual poitical disposition an I thank him for that.(I'm guessing that was typed on an iPad, by the way.)
I do get the impression these days though, that in railing against the post modern intellectual left, he is still fighting yesterdays's battles, as very few people take them seriously any more, and their influence really is on the wane. Another failing, is that he seems to fail to realize that neo-liberal, globalizing capitalism is as much as a threat to conservative values as left-wing socialism. He occasionally acknowledges this, but fails to eleborate on it, as if this woufd be "letting the side down" or something.Still, all in all, he's one of the good guys. Thumbs up Rog!
All rather interesting.
Sunday, December 20, 2015
Les Miserables revisited
As I wrote in my lengthy post about the musical (and book) Les Miserables in 2013*, I had never seen a stage production of it at the time I saw the movie.
This was rectified yesterday, when my wife and I sat in the balcony at QPAC to watch it, wishing we had opera glasses. (Actually, if you sit right at the front of the balcony, which we moved close to after intermission, it's not too bad. But the cheaper seats up the back - very far away indeed.)
Anyway, it is a very good production, and the favourable reviews it has received are well deserved. Perhaps it was due to more familiarity with the score from seeing the movie, but I found it more moving in parts than the movie. (My general line is that it is easier to be moved by the realism of a movie than the artifice of a stage show.)
Certainly, I have certain earworms stuck in my head today that are showing no signs of leaving.
I noticed as we left that Cats is returning next year: a show I have zero interest in seeing, although I suppose that any show with good singers will have bits that are good. My wife and daughter went to see Wicked by themselves earlier this year, and liked it well enough. The other musical viewed recently was Anything Goes, which got it's own explanatory post too.
My point in noting this is to observe that the creation of really successful narrative musicals seems to take place at an incredibly slow rate. When they are big successes, they just keep returning, decade after decade. But perhaps this is just from an outside of Broadway perspective: I see that someone in Variety was noting in 2013 that maybe there were too many new musicals at that time for them to all be successful.
* you should read it - it's the style of post I like doing in particular, and enjoy re-reading when I have forgotten half of it.
This was rectified yesterday, when my wife and I sat in the balcony at QPAC to watch it, wishing we had opera glasses. (Actually, if you sit right at the front of the balcony, which we moved close to after intermission, it's not too bad. But the cheaper seats up the back - very far away indeed.)
Anyway, it is a very good production, and the favourable reviews it has received are well deserved. Perhaps it was due to more familiarity with the score from seeing the movie, but I found it more moving in parts than the movie. (My general line is that it is easier to be moved by the realism of a movie than the artifice of a stage show.)
Certainly, I have certain earworms stuck in my head today that are showing no signs of leaving.
I noticed as we left that Cats is returning next year: a show I have zero interest in seeing, although I suppose that any show with good singers will have bits that are good. My wife and daughter went to see Wicked by themselves earlier this year, and liked it well enough. The other musical viewed recently was Anything Goes, which got it's own explanatory post too.
My point in noting this is to observe that the creation of really successful narrative musicals seems to take place at an incredibly slow rate. When they are big successes, they just keep returning, decade after decade. But perhaps this is just from an outside of Broadway perspective: I see that someone in Variety was noting in 2013 that maybe there were too many new musicals at that time for them to all be successful.
* you should read it - it's the style of post I like doing in particular, and enjoy re-reading when I have forgotten half of it.
Saturday, December 19, 2015
Wrong and wrong again
Before he gave up his "I'm for small government" principles for a government job with fantastic travel allowances, Freedom Boy Tim Wilson used to specialise in mouthing off on behalf of the IPA on behalf of Big Tobacco against tobacco plain packaging.
Here he is, warning that the Australian government may have to pay billions to his then benefactors:
First, the High Court didn't agree that the Commonwealth had stolen property rights, and now a completely bogus trade arbitration claim in Singapore has failed too.
What's the IPA to do now?: I guess the only think is to continue with Sinclair Davidson's sad exercises in complaining that, because smoking rates were dropping before plain packaging, and plain packaging came with increased tobacco taxes, his mortal enemy Simon Chapman can never really claim that plain packaging "works". So there.
It's all a bit pathetic: but nothing compared to the coming IPA crisis as its climate change denying group of aging non experts continue to fade into complete irrelevancy.
But back to Wilson: I saw a tweet yesterday that claims he's interested in running for selection for a Liberal Senate seat. Just what the Liberals need - a shallow intellectual lightweight proven wrong on previous prognostications who's primarily interested in self promotion - and selfies.
Here he is, warning that the Australian government may have to pay billions to his then benefactors:
"Bad anti-intellectual property laws by State and Federal Parliaments could require taxpayers to gift up to $3.4 billion per year in compensation to film companies and big tobacco for the loss of their trademarks", Director of the IP and Free Trade Unit at the Institute of Public Affairs, Tim Wilson, said today.Here he is in 2011:
The IPA raised concerns that stripping trademarks from packaging could lead to the acquisition of property rights under the Constitution and lead to compensation on "just terms".It's a good thing he left that job, I suppose, given his prediction rate is looking very poor indeed.
First, the High Court didn't agree that the Commonwealth had stolen property rights, and now a completely bogus trade arbitration claim in Singapore has failed too.
What's the IPA to do now?: I guess the only think is to continue with Sinclair Davidson's sad exercises in complaining that, because smoking rates were dropping before plain packaging, and plain packaging came with increased tobacco taxes, his mortal enemy Simon Chapman can never really claim that plain packaging "works". So there.
It's all a bit pathetic: but nothing compared to the coming IPA crisis as its climate change denying group of aging non experts continue to fade into complete irrelevancy.
But back to Wilson: I saw a tweet yesterday that claims he's interested in running for selection for a Liberal Senate seat. Just what the Liberals need - a shallow intellectual lightweight proven wrong on previous prognostications who's primarily interested in self promotion - and selfies.
Friday, December 18, 2015
Daly counters Sloan
Australian government spending as a percentage of GDP
That's quite a graph Daly has got there. I hope it's right.
That's quite a graph Daly has got there. I hope it's right.
Meanwhile, in one of the most ridiculous nations on the planet
Teacher suspended after playing violin for young women | GulfNews.com
In other news from that country where the heat seems to addle minds:
A university in Saudi Arabia has suspended a foreign teacher after he played the violin in front of a class of young women.Good grief. Was he doing it nude? (No.) Is it meant to be seductive? (Ha.) Does a bow carry some sort of phallic symbolism? Who knows?
Dr Eisa Al Ansari, the rector of Prince Mohammed University (PMU), one of the largest private universities in Saudi Arabia, said that an investigation had been launched into the incident.
The rector said that the teacher was new at the university and that he was recruited two months ago.
The incident was a personal behaviour by the teacher and violated the formal policy of the university aligned with the systems and regulations of the Ministry of Education that are endorsed and applied by all universities in Saudi Arabia, he added, Saudi news site Sabq reported on Thursday.
In other news from that country where the heat seems to addle minds:
A huge family dispute erupted in Saudi Arabia after a man’s wife kissed a camel.Mind you, this story is not sourced, and sounds the equivalent of tabloid gossip, but still...
The man’s mother accused her daughter-in-law of breaking religious and social traditions and pressured her son to divorce his wife.
The wife insisted that the kiss was innocent and spontaneous.
She also accused her mother-in-law of using the kiss as an excuse to attack her because she had not yet given birth to a baby.
My new found respect for the sea monkey
BBC - Earth - The animal that lives for 10,000 years
Perhaps that should be "lives" (in inverted commas) because what they are talking about is the larva cysts, which can dry out yet appear to be viable for 10,000 years. (They know this because they got some to hatch from old salt layers of that age.)
Still, that is very impressive. It sounds as if it won't be cockroaches that inherit the earth, after all.
Perhaps that should be "lives" (in inverted commas) because what they are talking about is the larva cysts, which can dry out yet appear to be viable for 10,000 years. (They know this because they got some to hatch from old salt layers of that age.)
Still, that is very impressive. It sounds as if it won't be cockroaches that inherit the earth, after all.
Thursday, December 17, 2015
What about the Pelagians??
Would you believe it? A selection of ancient faiths ripe for revival � The Spectator
As far as heresies go, the Pelagian one seemed pretty inoffensive, and, indeed, somewhat more attuned to modern thinking.
As far as heresies go, the Pelagian one seemed pretty inoffensive, and, indeed, somewhat more attuned to modern thinking.
A topical slur
Steve to young monty, looking over at Catallaxy Files:
"You will never find a more wretched hive of dumb and villainy."
"You will never find a more wretched hive of dumb and villainy."
Another global warming problem in the making
Climate change rapidly warming world's lakes
Algal blooms, which can ultimately rob water of oxygen, are projected to increase 20 percent in lakes over the next century as warming rates increase. Algal blooms that are toxic to fish and animals would increase by 5 percent. If these rates continue, emissions of methane, a greenhouse gas 25 times more powerful than carbon dioxide on 100-year time scales, will increase 4 percent over the next decade.Another article at phys.org indicates this is a real problem even for North American cities:
By the latter half of this century, toxic algal blooms like the one that cut off drinking water to the city of Toledo in 2014 will no longer be the exception, but the norm, a study suggests.
Wondering about Lawrence
I wonder how much credit for the apparent success of the new Star Wars is due to Lawrence Kasdan's involvement with the script? I always thought he was largely credited with the good script for Empire Strikes Back. (Then again, he also worked on Return of the Jedi, which I thought was a very weak script and story in comparison.)
Wednesday, December 16, 2015
Warm up north
Record US temperatures are work of El Nino and polar vortex, experts say | US news | The Guardian
It can't be helping the Republican PR cause, having some cherry blossoms in December....
It can't be helping the Republican PR cause, having some cherry blossoms in December....
Tuesday, December 15, 2015
German coco nut
Death By Coconut: A Story Of Food Obsession Gone Too Far : The Salt : NPR
Now if only it had been parsnips, on the other hand....
Born in Nuremberg in 1875, August Engelhardt was among the disaffected youngsters drawn to the back-to-nature Lebensreform (Life Reform) movement sweeping through Germany and Switzerland at the time. Its proponents yearned after an unspoiled Eden where people ateSo he goes to an island in New Guinea with a coconut plantation, 15 young Germans join him, they die or catch malaria (which Engelhart claimed wouldn't happen because of the power of the coconut) and his cult ends. Engelhardt himself dies at 44 as a skinny and very unhealthy man.
vegetables and raw food.
Engelhardt was especially taken by Gustav Schlickeysen's 1877 dietary treatise, Fruit and Bread: A Scientific Diet. Influenced by Darwinism, the book claimed that since the natural food of apes was uncooked food and grain, that was also "the proper food for man."
Engelhardt took it even further: For him, even bread and fruit were tainted. In his mind, the only immaculate and mystical fleshpot was the coconut, with its snowy white meat and translucent water.
In 1898, he and fellow vegetarian August Bethmann laid out their vision in a pamphlet called A Carefree Future: The New Gospel. As the pamphlet's grandiose subtitle makes plain, Engelhardt's ambitions of a Coconut Camelot, with himself as a nude King Arthur, were driven by much more than dietary compulsions: His was a spiritual quest.
"He believed that since the coconut grew high up in the tree, closest to God and closest to the sun, it was godlike," says Kracht. "And since it had hair and looked like a human head, he thought it came closest to being a man. According to his rather crackpot theory, to be a cocovore was to be a theophage — or eater of God."
Now if only it had been parsnips, on the other hand....
Fundamental mistake
What??? I, as a Spielberg nerd, and no doubt thousands of Star Wars nerds, am shocked at the caption beneath this report on The Australian:
Kate's looking nice, in an Annie Hall kind of way, but Spielberg has never been "an original director" of anything Star Wars.
Whichever wet behind the ears journalist who wrote that deserves the sack.
Kate's looking nice, in an Annie Hall kind of way, but Spielberg has never been "an original director" of anything Star Wars.
Whichever wet behind the ears journalist who wrote that deserves the sack.
How did the Right get so stupid and nasty, Part 2
For no particular reason, via Tim Blairs blog (which still lists me in the blogroll, as it appears not to have been updated for 8 years or so), I dropped in on the long running American right wing comic Day By Day. A couple of recent entries:
Yeah, the first one is meant to be (I think) from a DVD the characters are watching. Cos, you know, there's nothing the paranoid gun owners of America would like more to watch than a black president (is he meant to be a zombie too?) being blown away over gun rights.
The second one again shows the "don't worry, if he tries that he'll be shot" philosophy of the cartoonist.
This cartoon is still linked to by the half respectable Hot Air conservative site (which seems to have a lot of Catholics amongst its columnists). Perhaps they don't read it, too.
Yeah, the first one is meant to be (I think) from a DVD the characters are watching. Cos, you know, there's nothing the paranoid gun owners of America would like more to watch than a black president (is he meant to be a zombie too?) being blown away over gun rights.
The second one again shows the "don't worry, if he tries that he'll be shot" philosophy of the cartoonist.
This cartoon is still linked to by the half respectable Hot Air conservative site (which seems to have a lot of Catholics amongst its columnists). Perhaps they don't read it, too.
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