I've seen 3 movies from the 1980's via Netflix or SBS on Demand recently, each for the first time in many, many years. In fact, the first two I don't think I have re-viewed since seeing them at the cinema. I had forgotten how good they were:
* The Fly: gee, Jeff Goldblum was great in that role, wasn't he? I remember I found the movie left me feeling it was too dark when I first saw it; but that was due to it being close to my father's terminal lung cancer, and the theme of a body deteriorating in front of its owner felt too close to the bone. Now, with a bit of distance, and the modern desensitisation to gore (I didn't like the end shot - ha, a pun - when I first saw it), I can see how good the screenplay was without feeling depressed at the end. Geena Davis struggled a bit with acting distraught, though, it must be said.
* Little Shop of Horrors: I had completely forgotten how funny Steve Martin was in the film, and the cameo by Bill Murray too. A very amusing film, although it did make me wonder whether the black voice and slang of Audrey II might be questioned on PC grounds today?
* Ferris Bueller's Day Off: There was something perfect about Matthew Broderick's performance in the way it made you both like him
and want to smack his smug face at the same time. Particularly in the last scenes, when he is in bed talking to his gullible parents. I had also forgotten Charlie Sheen's brief "bad boy" role in the film, which in retrospect is funny, given that it seems to have set the path for his actual life. Sure, the subplot of rich boy whose father doesn't love him was overdone, but it doesn't detract from the best elements of the film, such as the street parade sequence, which remains as infectious and impressive as it was when I first saw it. Incidentally, I checked the Metacritic rating for the film, and saw that Julie Salamon from the Wall Street Journal gave it a rating that the site scores as "0". The only quote from the review is this:
One of the least appealing movies I've seen in a while.... When a member
of the audience belched loudly, that got the biggest laugh of the day.
I saw it in a cinema, and with an audience strongly skewed to the 20 - 35 age range*, and there is no way it was not a popular hit at the time with young-ish adults, not just teens. I wish I could read the whole review to see how wrongheaded it must be.
* there is a reason I can safely say that, that I might explain another day...