Wingnutty climate change denialists are fools easily parted from their money - whether it be for laying out for echo chamber denialist tomes published by the IPA, or an academic wanting hundreds of thousands of dollars for legal fees for a case which, I strongly suspect, he's going to lose. (That really is a very large amount for legal fees for an employment dispute case, by the way.)
Denialists don't have the best track record when it comes to litigation.
Wednesday, May 23, 2018
Climate change denialists in trouble
Climate change denialists were motivated right from the start of the disastrous South East Queensland floods of 2011 to try to find humans to blame for the exceptional scenes of mayhem which led to many deaths in a type of sudden flood we just hadn't really seen in this region before.
Hence, apart from dam management, they latched onto one family's ground works as being the cause of deaths, and ran with it in a way that has led to a defamation action that anyone objective would have to say is not going well for Alan Jones and Nick Cater.
Good.
Hence, apart from dam management, they latched onto one family's ground works as being the cause of deaths, and ran with it in a way that has led to a defamation action that anyone objective would have to say is not going well for Alan Jones and Nick Cater.
Good.
Probably nothing to it
Lots of news about some German researchers finding that that the likely explanation for the EM drive engine producing some tiny apparent thrust is the test apparatus interacting with the Earth's magnetic field.
I was skeptical about this being a breakthrough from the start.
I was skeptical about this being a breakthrough from the start.
Tuesday, May 22, 2018
Teenagers, guns and mental health
They a very good, detailed and somewhat depressing explanation in The Atlantic about how you can never expect to have a system that catches all potential teenage gun killers in the US before they act. It gives examples of the pre-killing behaviour of some of the guys (it's virtually always guys) who have been notorious mass shooters.
It's always tedious hearing Right wingnuts saying that the problem is someone should have done something before the killing, when less than 10 States have "red flag" laws that might, in some cases, work to remove their guns. And besides, for killers too young to own their own gun, they often just use their parents.
The article also notes that there has been a clear decrease in mental health beds available for those who need a lengthy and proper assessment. And there are other complications too:
It's always tedious hearing Right wingnuts saying that the problem is someone should have done something before the killing, when less than 10 States have "red flag" laws that might, in some cases, work to remove their guns. And besides, for killers too young to own their own gun, they often just use their parents.
The article also notes that there has been a clear decrease in mental health beds available for those who need a lengthy and proper assessment. And there are other complications too:
And finally, the obvious:A parent of a child 14 or younger can legally commit him to a mental-health facility without an overt act—but generally, only for three days. And here, there is a practical problem: scarcity of treatment. Liza Long says that after Eric put a knife to her throat, he was taken to the emergency room, where they administered a drug to calm him down. Then the hospital informed her they had no beds for him in the psychiatric hospital. In fact, Eric’s social worker told her the only way to get Eric the mental-health services he needed was to press criminal charges against him. “So those were my options,” she says. “‘We have no idea what’s wrong with your kid. We think he needs a psychiatric bed, but there’s nothing available. Here’s a drug that will knock him out.’” She took him home with a prescription for an antipsychotic drug called Zyprexa.Caldwell hears this all the time. “Twenty-five years ago,” he says, “if you had insurance, you could probably get the kid put into a psychiatric unit for 30 days for an evaluation and try to get a handle on what's going on. Those beds have just disappeared.”Aside from the practical, legal, and emotional barriers—after all, who wants to commit their child?—parents have another incentive to keep their secret close, as Nancy Lanza did: fear of losing her other children. Several specialists and parents told me that social workers often believe that a child’s erratic behavior stems from abuse in the home. One woman with a violent daughter described how the local Child Protective Services department accused her and her husband of beating their daughter and depriving her of food. The agency threatened to take away their other children and investigated the parents for a year before determining there was no abuse. For her part, Liza Long lost custody of her two younger children after she published a heartfelt blog post headined “I am Adam Lanza’s Mother.” After the essay spread online, the judge granted her ex-husband full custody of the two children if she insisted on raising Eric. “Why won’t families talk about this?” Long asks. “That’s why.”
One study tracked school shootings in three dozen countries—incidents in which two or more people died. Half of those shooting incidents occurred in the United States. Given that, according to some studies, Americans are no more emotionally troubled than people in Europe and Canada, the stark difference is guns. Children outside the U.S. “don’t have access to AR-15s or Glocks or other weapons that our kids have access to,” says Dewey Cornell. “That’s a huge glaring obvious problem. It’s obvious to scholars in the field. It’s obvious to folks in other countries. For some reason it’s not obvious to our politicians.”
Peterson attacked
I wrote in my last post that I suspected there was less to Jordan Peterson than met the eye, and this quite effective piece looking at some of his waffley thoughts certainly indicates I was right.
It starts:
It starts:
If you want to appear very profound and convince people to take you seriously, but have nothing of value to say, there is a tried and tested method. First, take some extremely obvious platitude or truism. Make sure it actually does contain some insight, though it can be rather vague. Something like “if you’re too conciliatory, you will sometimes get taken advantage of” or “many moral values are similar across human societies.” Then, try to restate your platitude using as many words as possible, as unintelligibly as possible, while never repeating yourself exactly. Use highly technical language drawn from many different academic disciplines, so that no one person will ever have adequate training to fully evaluate your work. Construct elaborate theories with many parts. Draw diagrams. Use italics liberally to indicate that you are using words in a highly specific and idiosyncratic sense. Never say anything too specific, and if you do, qualify it heavily so that you can always insist you meant the opposite. Then evangelize: speak as confidently as possible, as if you are sharing God’s own truth. Accept no criticisms: insist that any skeptic has either misinterpreted you or has actually already admitted that you are correct. Talk as much as possible and listen as little as possible. Follow these steps, and your success will be assured. (It does help if you are male and Caucasian.)
Jordan Peterson appears very profound and has convinced many people to take him seriously. Yet he has almost nothing of value to say. This should be obvious to anyone who has spent even a few moments critically examining his writings and speeches, which are comically befuddled, pompous, and ignorant. They are half nonsense, half banality. In a reasonable world, Peterson would be seen as the kind of tedious crackpot that one hopes not to get seated next to on a train.
Monday, May 21, 2018
A really bad idea
I've never spoken about Rick and Morty.
I have Netflix, a son just turned 18, and a general fondness for science fiction comedy - of course I've watched it. But I'm not a huge fan. Anyone who knows my tastes in pop culture could probably understand why.
Nihilistic or dark comedy has never done it for me in a big way. Short bursts of it can be OK, but I don't think anyone should dwell on it as being a meaningful reflection on life - that's corrosive to the soul and society.
There are occasions in the show where the joke genuinely surprise me and gives me a good laugh, but to be honest, it's not that often. And thematically, with its use of the multiverse as a continual basis for its stories (as well as its own type of dysfunctional family), I thought the show had pretty much run its course at the end of the third season.
So why do I write this now? It's because of the news that its been renewed for 70 episodes!
This is surely a bad idea for it creatively. At a time when it seems universally acknowledged that The Simpsons should have ended more than a decade ago, we have another creative team thinking they can keep milking a comedy set up for, what? another 8 to 10 years?
The truth is, any comedy show has trouble maintaining quality for more than about (I reckon) 7 seasons. Some die faster than others. I just think it is obvious that Rick and Morty cannot maintain its output with the same "quality" that fans like for that amount of time.
Update: quite separately from this, I was thinking recently when scrolling through Spotify, is 7 also the accurate number for "great albums any one band is ever likely to produce" before diminishing returns set in?
I have Netflix, a son just turned 18, and a general fondness for science fiction comedy - of course I've watched it. But I'm not a huge fan. Anyone who knows my tastes in pop culture could probably understand why.
Nihilistic or dark comedy has never done it for me in a big way. Short bursts of it can be OK, but I don't think anyone should dwell on it as being a meaningful reflection on life - that's corrosive to the soul and society.
There are occasions in the show where the joke genuinely surprise me and gives me a good laugh, but to be honest, it's not that often. And thematically, with its use of the multiverse as a continual basis for its stories (as well as its own type of dysfunctional family), I thought the show had pretty much run its course at the end of the third season.
So why do I write this now? It's because of the news that its been renewed for 70 episodes!
This is surely a bad idea for it creatively. At a time when it seems universally acknowledged that The Simpsons should have ended more than a decade ago, we have another creative team thinking they can keep milking a comedy set up for, what? another 8 to 10 years?
The truth is, any comedy show has trouble maintaining quality for more than about (I reckon) 7 seasons. Some die faster than others. I just think it is obvious that Rick and Morty cannot maintain its output with the same "quality" that fans like for that amount of time.
Update: quite separately from this, I was thinking recently when scrolling through Spotify, is 7 also the accurate number for "great albums any one band is ever likely to produce" before diminishing returns set in?
Sunday, May 20, 2018
A few comments about the wedding
I really don't pay much attention to Royal family news, but when one of them marries it's a spectacle that is pretty interesting even if only to admire all of the organisational skills at work. And besides, they are the only weddings where you really get to see the bride and groom's faces in close detail in real time - it's a unique worldwide invasion of privacy that has pretty irresistible curiosity value. Of course, you have to ignore much of the commentary, which can be
gushing and claim inside knowledge of emotions with no reliability at
all.
Harry and Meghan (I just had to check how to spell her name, that's how little I have read about her) played it pretty cool, though, and it was an entertaining event for the most part. The missing teeth of one of the page boys as his face was caught in an open mouth grin behind the bride was a particularly funny and cute image.
And what about Teilhard de Chardin getting a mention? That impressed me (although, to be honest, I was doing some quick tidying up in the kitchen during most of the black bishop's speech, which did seem to go on too long.) I think de Chardin showed the way forward for modern Christianity, and he's gradually being rehabilitated within the Catholic Church, so I quite like him being mentioned anywhere.
The thing is, I reckon that if anyone remembers their own wedding service with fondness and emotion, it's hard not to like watching the wedding of any couple who look to be undertaking it with both solemnity and pleasure. Hence, I enjoyed it.
Harry and Meghan (I just had to check how to spell her name, that's how little I have read about her) played it pretty cool, though, and it was an entertaining event for the most part. The missing teeth of one of the page boys as his face was caught in an open mouth grin behind the bride was a particularly funny and cute image.
And what about Teilhard de Chardin getting a mention? That impressed me (although, to be honest, I was doing some quick tidying up in the kitchen during most of the black bishop's speech, which did seem to go on too long.) I think de Chardin showed the way forward for modern Christianity, and he's gradually being rehabilitated within the Catholic Church, so I quite like him being mentioned anywhere.
The thing is, I reckon that if anyone remembers their own wedding service with fondness and emotion, it's hard not to like watching the wedding of any couple who look to be undertaking it with both solemnity and pleasure. Hence, I enjoyed it.
Friday, May 18, 2018
Random observations
* I do find Annabel Crabb a very likeable TV presence, but she does sometimes really lay on the anachronistic 50's feminine cos-play look a bit too thick, I reckon:
Please ignore the woman to the right. She's like the polar opposite of Crabb's fashion sense.
* Richard Ayoade is pretty entertaining in most things he does, except for the woeful The Crystal Maze which has been showing on SBS. Apparently, it's an update of an old, popular(?) show, but just like the truly charmless quiz show Pointless, there sometimes is just no accounting for British viewing tastes. (Not that we can talk, I suppose - I find watching people watching TV the least interesting concept ever devised.)
* Bitcoin, which seems only to be a parlour game for tech nerds, is using up a quite large amount of energy. More governments should just ban it, I say.
* Oh for goodness sake: South Koreans apparently share fully in the Chinese belief that certain foods are particularly good in all sorts of "woo" ways - dog stew is supposed to make men more virile:
* American Right wing media has fully constructed an alternative reality that, it seems, will not start to be deconstructed until the rich, old, male money behind it (Rupert Murdoch, Koch Brothers, and others) are dead. I think it is indisputable that the globe will be a far, far better, safer and saner place when Rupert dies.
Please ignore the woman to the right. She's like the polar opposite of Crabb's fashion sense.
* Richard Ayoade is pretty entertaining in most things he does, except for the woeful The Crystal Maze which has been showing on SBS. Apparently, it's an update of an old, popular(?) show, but just like the truly charmless quiz show Pointless, there sometimes is just no accounting for British viewing tastes. (Not that we can talk, I suppose - I find watching people watching TV the least interesting concept ever devised.)
* Bitcoin, which seems only to be a parlour game for tech nerds, is using up a quite large amount of energy. More governments should just ban it, I say.
* Oh for goodness sake: South Koreans apparently share fully in the Chinese belief that certain foods are particularly good in all sorts of "woo" ways - dog stew is supposed to make men more virile:
Many foods in Korea, such as dog meat stew (bosintang), are deemed to be “good for men.” From everyday foods, such as garlic or chives, to eel soup and gaebul—“penis fish,” a species of marine worm that resembles the male appendage—these ingredients are recommended for their ability to enhance male sexual performance. Bbeolddok-ju, or “erection wine,” is a rice-based wine that’s made with fruits, and comes with a phallus-shaped cap bearing a smiley face.Leave the dogs alone - they aren't going to help in the bedroom.
* American Right wing media has fully constructed an alternative reality that, it seems, will not start to be deconstructed until the rich, old, male money behind it (Rupert Murdoch, Koch Brothers, and others) are dead. I think it is indisputable that the globe will be a far, far better, safer and saner place when Rupert dies.
The obvious problem with self driving taxis
The issue that I mused about a couple of years ago gets a lengthy column at Slate:
The Dirty Truth Coming for Self-Driving Cars: Trash. Odors. Bodily fluids.
Will autonomous rideshares be ready for our mess?
The Dirty Truth Coming for Self-Driving Cars: Trash. Odors. Bodily fluids.
Will autonomous rideshares be ready for our mess?
Why I am disinclined to see Deadpool movies
From the NPR review:
Why have so many people moved past that proposition, in the space of 30 years or so?
Update: and more commentary I suspect I would agree with, if only I saw the movies, from the NYT review:
No one can deny that Deadpool 2, like its predecessor, is filling a hole in the cinematic-superhero marketplace. Its graphic, gleefully gratuitous and mystifyingly mean-spirited R-rated violence is there for a rigorously focus-grouped reason. The mainstream Marvel movies — your Avengers, your Doctors Strange, your Ants-Men — are happy to maintain their white-knuckle grip on a PG-13 rating, the better to maximize their prospective audience. But that means their violence must remain assiduously entrail-free. They're eye-popping, just not literally. Visuals, not viscera.My simple rule: maiming should not be condoned for entertainment purposes.
Maybe Deadpool 2, with its merry fusillade of lopped-off body parts and mangled torsos and arterial spray, is just being more honest about what the world would look like, if superheroes truly existed. Either that, or it's just cynically indulging the bloodlust of viewers who regard badassiness as the only meaningful superhero currency, because they grew up reading the blithely violent (and not for nothing, hilariously awful) '90s comics that birthed Deadpool and many of this film's co-stars.
Why have so many people moved past that proposition, in the space of 30 years or so?
Update: and more commentary I suspect I would agree with, if only I saw the movies, from the NYT review:
What drives this franchise is the same force that drives so much culture and politics right now: the self-pity of a white man with a relentless need to be the center of attention. He is angry, violent, disrespectful to everyone and everything, and at the same time thoroughly nontoxic and totally cool.
I strongly suspect that take on the matter will upset you, Jason!Sure. Great. But there is something ever so slightly dishonest about this character, something false about the boundaries drawn around his sadism and his rage. “Deadpool 2” dabbles in ugliness and transgression, but takes no real creative risks.
Kant and the Avengers
I quite like David Robert's article talking about Kant and utilitarianism and Avengers: Infinity War.
He's got one of the most entertaining twitter feeds around, too. (In one series of tweets, he explained that he has been using pot recreationally since about 14. He now has teen sons of his own - I was kind of interested what he tells them about it, as surely he is smart enough to know that suing it from such a young age is now widely regarded as a risky thing for possible development of schizophrenia.)
He's got one of the most entertaining twitter feeds around, too. (In one series of tweets, he explained that he has been using pot recreationally since about 14. He now has teen sons of his own - I was kind of interested what he tells them about it, as surely he is smart enough to know that suing it from such a young age is now widely regarded as a risky thing for possible development of schizophrenia.)
Thursday, May 17, 2018
Climate change denialism is gradually dying out - literally
I see that Fred Singer (and the Wall Street Journal) is copping a pasting for his column denying sea level rise could be a problem, which sounds so obviously amateurish, and kinda dumb, that people are really surprised it would be published, even by the WSJ.
Singer has been around forever, so I had to check his age. He's 93!
Richard Lindzin, the only AGW skeptic scientist who I think has been credited with at least being wrong in an interesting way, is now 78.
Ian Plimer, who's just a geologist gadfly, is 72. (Pity, I thought he was probably a bit older than that.)
Curry is 63 or 65 - accounts seem to differ - but she looks a bit old for her age. Monckton is 66, but could pass for older too. I can't see how old John Christy is, but he was married for 39 years, which would indicate he is likely at least 60. White haired Roy Spencer is 62.
I'm not sure it's possible to find a climate scientist who counts as a skeptic/lukewarmer who is under 60.
So, I guess a few of them will be with us for a while yet, but time will eventually remove climate change denialism.
Singer has been around forever, so I had to check his age. He's 93!
Richard Lindzin, the only AGW skeptic scientist who I think has been credited with at least being wrong in an interesting way, is now 78.
Ian Plimer, who's just a geologist gadfly, is 72. (Pity, I thought he was probably a bit older than that.)
Curry is 63 or 65 - accounts seem to differ - but she looks a bit old for her age. Monckton is 66, but could pass for older too. I can't see how old John Christy is, but he was married for 39 years, which would indicate he is likely at least 60. White haired Roy Spencer is 62.
I'm not sure it's possible to find a climate scientist who counts as a skeptic/lukewarmer who is under 60.
So, I guess a few of them will be with us for a while yet, but time will eventually remove climate change denialism.
More Malaysian weirdness
Anwar Ibrahim sure got his pardon quickly. But I was surprised to see he is aged 70! I think his hair might be died, but still, in my mind he was probably in his 50's, and he looks (like his pardoner) remarkably fit and youthful for his age. Is there some mysterious key to eternal youth in Malaysian politicians? Wannabe youthful vampire Peter Thiel should be looking into that, I reckon.
I also see details via Jason Soon of a Chinese planned (and part constructed) superdevelopment at Johor Bahru, just across the bridge from Singapore.
What's happening with China (as far as I can make out) is pretty weird, and novel: mega firms operating with close connections to an ostensibly communist government are engaging in something that we'd probably call rapacious global capitalism if it was coming out of America. Or, to put it another way, dubious developments are getting foisted onto poorer countries keen to see any economic activity at all because there seems to be a combination of too much idle money in China and a government that sees its way to global security and domination by, well, building nice things.
I don't think anyone saw that coming.
And by the way, that Johor Bahru development seems dubiously close to the ocean waterline. Malaysia, and the Chinese developer, seem to not be planning enough for even 100 years into the future.
As it happens, I've booked a holiday at the end of the year for Singapore, and catching the bus up to Malacca for a few nights as well. High end hotels in Malacca are ridiculously cheap. Yet, when I checked whether staying at Johor Bahru was cheap enough to make the commute into Singapore worthwhile, it wasn't. Johor Bahru also seems to have a lack of interesting things in its own right, although it does have a Legoland which is presumably there to attract visitors from Singapore. Anyway, I'll be interested to look out the window at the city on the way to Malacca.
I also see details via Jason Soon of a Chinese planned (and part constructed) superdevelopment at Johor Bahru, just across the bridge from Singapore.
What's happening with China (as far as I can make out) is pretty weird, and novel: mega firms operating with close connections to an ostensibly communist government are engaging in something that we'd probably call rapacious global capitalism if it was coming out of America. Or, to put it another way, dubious developments are getting foisted onto poorer countries keen to see any economic activity at all because there seems to be a combination of too much idle money in China and a government that sees its way to global security and domination by, well, building nice things.
I don't think anyone saw that coming.
And by the way, that Johor Bahru development seems dubiously close to the ocean waterline. Malaysia, and the Chinese developer, seem to not be planning enough for even 100 years into the future.
As it happens, I've booked a holiday at the end of the year for Singapore, and catching the bus up to Malacca for a few nights as well. High end hotels in Malacca are ridiculously cheap. Yet, when I checked whether staying at Johor Bahru was cheap enough to make the commute into Singapore worthwhile, it wasn't. Johor Bahru also seems to have a lack of interesting things in its own right, although it does have a Legoland which is presumably there to attract visitors from Singapore. Anyway, I'll be interested to look out the window at the city on the way to Malacca.
Tuesday, May 15, 2018
Monday, May 14, 2018
Dear Entertainment industry: please, stop shooting people in the head for entertainment
It's not just the This is America clip which has brought this to a head (no pun intended.)
I had been noticing over the last couple of months how incredibly ubiquitous the Hollywood/TV/entertainment industry use of "gun shot to one part of the head, blood sprayed out the other side" has become.
I think I can blame Stanley Kubrick, who was the first I remember to show a gun suicide up close with brain spatter on the wall behind the victim, back in Full Metal Jacket. At least that was, at the time, an R rated movie. Now, a similar technical device (or perhaps, post production effects?) is used in a widely popular Youtube music video? Sensitivities have changed incredibly in the space of a few decades.
Other shows which have featured it: Mindhunter (more a head explosion, in the first 5 minutes); Mr Robot (Dark Army operatives in particular); Dirk Gently (Netflix version); Babylon Berlin (second episode.)
Honest to God, it seems I can't watch a series made for adults which does not feature in pretty close up detail the old gun shot to the head, splatter out the other side.
Is it a case of technology leading art? Do directors think "we can make this look pretty realistic with Acme Company's patented "Head Splatter for Hollywood" explosive kit. So let's do it!"
Now, despite my complaint, readers will know I have not stopped watching these shows because of this (with the except on Mindhunter, which was awful in other ways) - I'm not curling up in a corner worried.
But I do object to it on both moral and aesthetic grounds and I WISH HOLLYWOOD AND TV WOULD STOP DOING IT.
Here's the moral reasoning:
* surely it's unpleasant for those who have been touched by gun violence, be they ex military with PTSD, the relatives of those recently shot (of whom there must be many in the US, but we have our gunshot murder-suicides in this country too), or police. And children - surely children who have not yet had the deadening effect of too much exposure to fictional violence feel an unpleasant impact from first seeing this portrayal. Yes, they shouldn't be watching such adult shows anyway, but still we know they do. Even free to air TV has incredibly looser censorship standards than it ever did before.
* surely for the not-quite-mentally-right, it could play into murderous fantasy. Mind you, I strongly suspect video games with their repeated head and body splattering violence are worse.
* there's something just "off" about the casualisation of violence when it gets to the extent of comprising on screen maiming for entertainment. I've never had a problem with a fist fight in entertainment - and I don't think the Three Stooges led to moral decay. But violence when it depicts bodily maiming - it reaches a line where I just can't see it as something that people should want to see.
Here's the aesthetic reasoning (although some may argue I've already crossed over to it in my last point):
* it never used to be necessary to made a gun shot a realistic one to make it have emotional impact as part of a story. In fact, there's a recent example of that in the tense movie 10 Cloverfield Lane. There is an off screen killing of someone by a sudden shot obviously aimed at his head - and it has more impact than many of the shots complained about above. Strangely, just because you can show something in fiction that apparently looks realistic, it doesn't necessarily mean you get the most impact by showing it that way.
I've made this point here before, as it was one that occurred to me right back to the suicide scene in Full Metal Jacket: technically accomplished, overly explicit violence can easily be enough to pull people out of the fictional story, because it heightens your awareness that it is fiction - there's not a guy really being killed for your entertainment - and you can start to wonder about how it feels to the actor to have a explosive with a bag of red jam go off on the back of their head. Why even let part of the audience start to think that way?
Now, anyone reading this will notice that my arguments seem contradictory - if the aesthetic argument is true, shouldn't I be less concerned that the images are disturbing to people who have been touched by gun violence?
No, I'm not going to concede that: I don't think that my feeling of being sometimes being distanced from the impact of depicted fictional shooting is a reliable guide to the feeling of those who have lived with the images they have seen or imagined of real people with gunshot wounds to the head.
I just wish there was some sort of revival of moral argument against the depictions of violence from the entertainment industry, but it seems so far from happening....
I had been noticing over the last couple of months how incredibly ubiquitous the Hollywood/TV/entertainment industry use of "gun shot to one part of the head, blood sprayed out the other side" has become.
I think I can blame Stanley Kubrick, who was the first I remember to show a gun suicide up close with brain spatter on the wall behind the victim, back in Full Metal Jacket. At least that was, at the time, an R rated movie. Now, a similar technical device (or perhaps, post production effects?) is used in a widely popular Youtube music video? Sensitivities have changed incredibly in the space of a few decades.
Other shows which have featured it: Mindhunter (more a head explosion, in the first 5 minutes); Mr Robot (Dark Army operatives in particular); Dirk Gently (Netflix version); Babylon Berlin (second episode.)
Honest to God, it seems I can't watch a series made for adults which does not feature in pretty close up detail the old gun shot to the head, splatter out the other side.
Is it a case of technology leading art? Do directors think "we can make this look pretty realistic with Acme Company's patented "Head Splatter for Hollywood" explosive kit. So let's do it!"
Now, despite my complaint, readers will know I have not stopped watching these shows because of this (with the except on Mindhunter, which was awful in other ways) - I'm not curling up in a corner worried.
But I do object to it on both moral and aesthetic grounds and I WISH HOLLYWOOD AND TV WOULD STOP DOING IT.
Here's the moral reasoning:
* surely it's unpleasant for those who have been touched by gun violence, be they ex military with PTSD, the relatives of those recently shot (of whom there must be many in the US, but we have our gunshot murder-suicides in this country too), or police. And children - surely children who have not yet had the deadening effect of too much exposure to fictional violence feel an unpleasant impact from first seeing this portrayal. Yes, they shouldn't be watching such adult shows anyway, but still we know they do. Even free to air TV has incredibly looser censorship standards than it ever did before.
* surely for the not-quite-mentally-right, it could play into murderous fantasy. Mind you, I strongly suspect video games with their repeated head and body splattering violence are worse.
* there's something just "off" about the casualisation of violence when it gets to the extent of comprising on screen maiming for entertainment. I've never had a problem with a fist fight in entertainment - and I don't think the Three Stooges led to moral decay. But violence when it depicts bodily maiming - it reaches a line where I just can't see it as something that people should want to see.
Here's the aesthetic reasoning (although some may argue I've already crossed over to it in my last point):
* it never used to be necessary to made a gun shot a realistic one to make it have emotional impact as part of a story. In fact, there's a recent example of that in the tense movie 10 Cloverfield Lane. There is an off screen killing of someone by a sudden shot obviously aimed at his head - and it has more impact than many of the shots complained about above. Strangely, just because you can show something in fiction that apparently looks realistic, it doesn't necessarily mean you get the most impact by showing it that way.
I've made this point here before, as it was one that occurred to me right back to the suicide scene in Full Metal Jacket: technically accomplished, overly explicit violence can easily be enough to pull people out of the fictional story, because it heightens your awareness that it is fiction - there's not a guy really being killed for your entertainment - and you can start to wonder about how it feels to the actor to have a explosive with a bag of red jam go off on the back of their head. Why even let part of the audience start to think that way?
Now, anyone reading this will notice that my arguments seem contradictory - if the aesthetic argument is true, shouldn't I be less concerned that the images are disturbing to people who have been touched by gun violence?
No, I'm not going to concede that: I don't think that my feeling of being sometimes being distanced from the impact of depicted fictional shooting is a reliable guide to the feeling of those who have lived with the images they have seen or imagined of real people with gunshot wounds to the head.
I just wish there was some sort of revival of moral argument against the depictions of violence from the entertainment industry, but it seems so far from happening....
Sunday, May 13, 2018
Wonder Woman Watched
Given that it seems to me that no critics have much liked most DC comic hero movies for many years, and I have trouble taking Batman in any incarnation seriously, I had little interest in seeing Wonder Woman at the cinema, despite the good reviews. But I caught it on Netflix last night.
I was pleasantly surprised at how much I liked it.
First, I wasn't really expecting it to look so good. Sure, the island of whatever that the Amazons lived on was your typical CGI conglomerate of waterfalls and mountains (still looking more realistic than Lord of the Rings, to my eye), but I was more impressed with the recreations of World War I London and Europe. It looked like a lot of money had been spent on it, with lots of extras who I don't think were CGI.
Second, I didn't know there would be quite as much "fish out of water" humour of the titular heroine trying to make sense of the human world. Remember, I do demand a fair amount of humour in my superhero movies, and this one had just enough.
Third, the actors were pretty good. Gadot is a beauty, and while Pine is an actor who never appears in much that impresses me, he was suitably charming in this role. I felt a bit sorry for whoever it was who played the mad Scotsman. Horrendous haircut and a role that only called for him to look daft and crazy eyed in every scene. Oh well, it's a living I guess.
Anyway, maybe it was also the novelty of a superhero movie set in an era where they normally do not appear, but I thought it was pretty good.
I was pleasantly surprised at how much I liked it.
First, I wasn't really expecting it to look so good. Sure, the island of whatever that the Amazons lived on was your typical CGI conglomerate of waterfalls and mountains (still looking more realistic than Lord of the Rings, to my eye), but I was more impressed with the recreations of World War I London and Europe. It looked like a lot of money had been spent on it, with lots of extras who I don't think were CGI.
Second, I didn't know there would be quite as much "fish out of water" humour of the titular heroine trying to make sense of the human world. Remember, I do demand a fair amount of humour in my superhero movies, and this one had just enough.
Third, the actors were pretty good. Gadot is a beauty, and while Pine is an actor who never appears in much that impresses me, he was suitably charming in this role. I felt a bit sorry for whoever it was who played the mad Scotsman. Horrendous haircut and a role that only called for him to look daft and crazy eyed in every scene. Oh well, it's a living I guess.
Anyway, maybe it was also the novelty of a superhero movie set in an era where they normally do not appear, but I thought it was pretty good.
Friday, May 11, 2018
Money, money, money
What an interesting article, explaining about a new high security vault building just outside of Melbourne which is home to all new Australian banknotes.
Sounds like the security measures would be worthy of a Mission Impossible style attack.
Sounds like the security measures would be worthy of a Mission Impossible style attack.
The beer you have when not having a beer, I suppose...
Noted at Japan Today: Suntory to release clear, no-alcohol, plastic-bottled beer.
Here's what it looks like:
Here's what it looks like:
To Berlin
For those on Netflix - I've started watching the well reviewed German series Babylon Berlin, and it's a pretty remarkable show. Based on some crime and corruption novels set in 1929 Berlin, it's apparently the most expensive German TV series ever made, and after two episodes, I can say it sure looks like it. It looks terrific.
Lots of emphasis on sexual and other decadence in a setting that I suppose is like a supercharged version of Cabaret minus - thus far - the Nazis. (I'm guessing here - as it happens, I've never watched that movie.) I'm a bit curious about the accuracy of the dancing in the extended nightclub scene in episode 2 - did the audiences teach themselves to dance together in such a choreographed looking way during popular songs? I think that's possible, but its nothing like audience behaviour these days. I also see that some on Reddit think the song and dancing is completely wrong for the period. It may be, since I have no knowledge of whether such an avant garde style (almost techno sounding, some Redditers say) would have ever turned up in a Weimar cabaret, but the whole scene is so well staged, eccentric and striking that I enjoyed it anyway.
I see when I Google it that the first season (I think there are only going to be two) has a "shocking" ending. I'm pretty sure it has me hooked. Perhaps the sordid aspects might start to grind me down, but we'll see.
And just in case anyone hasn't realised it - if the English dubbed version bothers you (as it does me), the settings in Netflix let you watch it in German with English subtitles. Much better.
Update: Oh! Here's a good article at The Guardian explaining how the dance hall featured in the series is indeed based on a real life one that was pretty exotic. No S&M brothel in the basement, though. Interesting.
Lots of emphasis on sexual and other decadence in a setting that I suppose is like a supercharged version of Cabaret minus - thus far - the Nazis. (I'm guessing here - as it happens, I've never watched that movie.) I'm a bit curious about the accuracy of the dancing in the extended nightclub scene in episode 2 - did the audiences teach themselves to dance together in such a choreographed looking way during popular songs? I think that's possible, but its nothing like audience behaviour these days. I also see that some on Reddit think the song and dancing is completely wrong for the period. It may be, since I have no knowledge of whether such an avant garde style (almost techno sounding, some Redditers say) would have ever turned up in a Weimar cabaret, but the whole scene is so well staged, eccentric and striking that I enjoyed it anyway.
I see when I Google it that the first season (I think there are only going to be two) has a "shocking" ending. I'm pretty sure it has me hooked. Perhaps the sordid aspects might start to grind me down, but we'll see.
And just in case anyone hasn't realised it - if the English dubbed version bothers you (as it does me), the settings in Netflix let you watch it in German with English subtitles. Much better.
Update: Oh! Here's a good article at The Guardian explaining how the dance hall featured in the series is indeed based on a real life one that was pretty exotic. No S&M brothel in the basement, though. Interesting.
Thursday, May 10, 2018
Talking prostates
In the last couple of years, there has been a sudden outbreak of people I know (including three that I am related to) who have had prostate problems - three cases of prostate cancer with surgical prostate removal, one case of some sort of prostate problem that still required surgery. Admittedly, these are (with one exception) all in men who are about 6 - 7 years older than me, but it does tend to give one the gloomy feeling that such an unpleasant, and medically controversial, disease is likely looking to hit me too. (I mean, the way every site assures us that virtually all men over 80 who haven't had it removed die with some form of prostate cancer cells helps give that impression too.)
But what are the figures for the number of men who do need to end up having the operation?
A review article from 2008 perhaps gives reason to feel a bit less foreboding:
A more recent article notes:
But - yes, I have a brother who had it, so that makes things worse for me, risk wise:
But what are the figures for the number of men who do need to end up having the operation?
A review article from 2008 perhaps gives reason to feel a bit less foreboding:
The probability of developing prostate cancer increases from 0.005% in men younger than 39 years to 2.2% in men between 40 and 59 years and 13.7% in men between 60 and 79 years.5–7 The current lifetime risk of developing prostate cancer is 16.7% (1 in 6 men). The probability of developing histological evidence of prostate cancer is even higher. Carter and colleagues8 showed that 50% of men between 70 and 80 years of age showed histological evidence of malignancy. A lifetime risk of 42% for developing histological evidence of prostate cancer in 50-year-old men has been calculated.8,9 In men at this age, however, the risk of developing clinically significant disease is only 9.5%, and the risk of dying from prostate cancer is only 2.9%.9Doesn't actually tell me how many have the operation, but still...
A more recent article notes:
Worldwide, more than 1 million men are diagnosed with prostate cancer each year and more than 300,000 die of the disease1. Current U.S. statistics show that either 1 in 5 or 1 in 6 men will be diagnosed with prostate cancer during their lifetime. With such a high incidence, should we be alarmed? What is a reasonable response to a risk of cancer as high as 1:5?One in five is pretty high, I guess - but the odds are still in favour of not ever getting a diagnosis.
But - yes, I have a brother who had it, so that makes things worse for me, risk wise:
- Men with a brother who had prostate cancer had twice as high a risk of being diagnosed as the general population. They had about a 30% risk of being diagnosed before age 75, compared with about 13% among men with no family history.
- Men with a brother who had prostate cancer had about a 9% risk of getting an aggressive type of prostate cancer by age 75, compared with about 5% among other men.
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