Meanwhile, up with the sheep...

It's kind of fun to annoy people by talking about a movie I haven't seen and probably won't. Anyway, Brokeback Mountain was the subject of a decidedly gushing comment piece by John Heard in the Australian a couple of days ago. It is, presumably, not a bad movie, but this (emphasis mine) is a bit over the top, isn't it?:

"This curious tale of unabashed same-sex attraction written for the rigidly heterosexual cowboy genre wasn't just a hit in the obvious places, although the queues in Chelsea, New York City, went around the block on opening night.

Rather, it has been watched and re-watched by thousands in the south and especially in Texas, the most masculine, devout, George W.Bush-rearing state in the union.

The personal testimonies on the film's website, left by surprised, delighted or otherwise deeply moved, deeply ordinary Texans and other cowpokes and ranch folk are wrenching. The thought of "good ole boys" sitting down with popcorn and handkerchiefs to watch what is, ostensibly, a chick-flick in man-drag is stunning."

So how big a hit (commercially) is it? From Rotten Tomatoes, I see that it has earned $51 million in the US after 8 weeks in release, and took $6 million last weekend (presumably, there is a bounce in ticket sales from all the recent awards.) By comparison, something like "Fun with Dick and Jane", a poorly reviewed Jim Carrey comedy, has made $106 million.

My point is: until a movie reaches about $100 million in the US, it doesn't exactly have "big hit" written all over it. (King Kong took over $200 million and is considered a bit of a flop, but then it did cost about that to make. I presume there are few special effects up on Brokeback.) (Gosh it is hard to avoid trying to be funny about that movie.)

Speaking of movie hits, have a look at that Rotten Tomatoes link to see how much money the prominent Oscar nominated films have made this year. Not only has Hollywood seemingly decided to try to annoy all Red States, it has also apparently set poor-to-middling box office performance as a criteria for attention.