Thinking about comedy

Despite my previous complaint that I did not find Summer Heights High funny, I ended up half watching most episodes, partly out of curiosity to see if I would eventually come around to enjoying it, and also simply because there was nothing else of interest on.

Nothing changed in the course of the series. In fact, my problems with it only increased over time. For example:

* I am surprised that there was not more public comment on the use of a Downs Syndrome actor in the show, given the questionable role he was given. Those of us who don't know the actor and his family cannot say that his involvement was exploitative, but doesn't having real life actors with a degree of disability playing fictional roles in which they are exploited or mistreated due to the same disability make people uncomfortable?

* There's no doubt that Chris Lilley is good at acting the roles. But trying to expand a sketch show format's 5 minutes of unrealistic silliness (particularly with something over the top that "Mr G" would do) into a series is too much of a stretch and just ruins the comedy for me.

* The show looked expensive to make, given the large number of actors and extras on the set. Australian films and series routinely look underpopulated, and this one did not have that problem at all. But this only made me resent it more. Seems such a waste of effort on a comedy/satire which I didn't like.

* The show almost certainly suffers the problem that is common to much British comedy now: it is written by a single person and there seems to be no one to act as a filter. (The whole plot about the drug death based musical strayed too far from vaguely plausible reality for far too long to be funny.) Mind you, there is a major lack of sensible filtering going on at The Chaser too, even though it is a team. (I can only enjoy about 50% of that show now, and the degree of annoyance with the other 50% is very offputting. I never care if I miss it.)

* More generally, this show made me wonder about how long British and Australian TV comedy based on deeply unpleasant characters with no redeeming features whatsoever has now been popular. Let's see, we've had The Office (although I stand to be corrected on that, I saw very little of it), Absolutely Fabulous, Nighty Night (now there was a show which I watched purely out of perverse interest in how unpleasant it was,) Alan Partridge (actually, he did make me laugh, but I don't think the character is well known in Australia. Have a look at this clip from his chat show to get a general idea.)

Fawlty Towers was perhaps the start of the plague of this sort of black comedy, but I think the unpleasantness of comedy characters has become much worse since then. (You could occasionally feel sorry for Basil, after all.) It is interesting to note that this style has never really caught on in the US in the same degree. (Of course, American TV comedy has its own major problems over the last decade, but that's a different post.)

I just wish British and Australian comedy writers would give this style a break for a decade or two.