Catherine Bennett doesn't have much time for Madonna. Writing of her children's books:
....in The English Roses Madonna commands young readers not to judge people by appearances. Just because a person might seem to be, say, meretricious, materialistic, foul-mouthed and youth-obsessed, with disturbing musculature and a habit of waggling her venerable crotch in front of hundreds of thousands of complete strangers, doesn't mean she might not, in reality, inhabit a rarified spiritual plane from which - to the great good fortune to those around her - she occasionally returns with important messages about the sacred side of life.Heh.
PS: I had somehow missed the fact that Madonna has directed a movie just released in the States. (Her soon-to-be-ex-hubbie Guy has one out too.) Anthony Lane therefore has a lot of fun reviewing both films, neither of which he likes. Here's his take on Ritchie's film (noting that he has just rubbished Madonna's movie - "Filth and Wisdom" (!) - for being incompetent on every level):
“RocknRolla,” by contrast, has competence on its side. Whole scenes go by in which one shot actually matches the next. In place of the bleak fuzz that veils half the setups in “Filth and Wisdom,” the images here are crisply defined, even if Ritchie has proved unable to shed the fondness for muted mud-tones that graced “Lock, Stock and Two Smoking Barrels.” Why, there are even proper actors! Giving reasonable performances! This film’s got everything, although purists might quibble that it lacks any sliver of plausibility or dramatic interest.As for the title of Madonna's movie, apparently the narrator says: "Without filth, there can be no wisdom." Deep, Madonna, very deep.
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