This summer, the ABC has been running that re-invented Sherlock show from the BBC from the start. I had not seen it before.
There is quite a bit to like: Benedict Cumberbatch and Martin Freeman are both good in their roles, and the (novel, as far as I can recall) method of showing internal thoughts or other information simply by having the floating words in the air near the character is neat. On the downside, I have always found the 90 minute format for character based, slightly comedic, detective stories is just a bit too long. I remember my interest in episodes of Columbo, for example, always started petering out at the 60 to 70 minute mark, and that was with commercials.
But my main reason for the post is to make the observation that, just as Graham Greene's output seemed permanently stuck in a "Greeneland" [depressed males, often with a crisis of faith, seeking solace in sex,] co-creator and sometimes writer Steven Moffat seems absolutely stuck in pan or omni-sexual Moffatland.
It was an obvious modern joke to make in the first episode: people wondering if Sherlock and Watson are a gay couple. Maybe even the second episode. But last week, I think 4 shows in, and we have the lesbian dominatrix story. And Watson still talking about how he is not gay. And everyone wondering if Sherlock has ever had a boyfriend or girlfriend. Really, who cares? It is tediously like modern Dr Who of the last 5 or so (possibly 8 or so - I lose track) years, where it seemed an episode which did not feature some jokey reference to queer sexuality or practice of some kind or other was a real rarity (in what is basically a kids' show.)
I have no idea why this obsesses Moffat so much. Amusingly, it seems that even gay or "queer" theorists find fault with how he deals with it. It also appears that some feminists find Moffat very objectionable. Maybe he is rather like Tony Abbott - can't keep anyone on any side of the spectrum happy.
But the main thing is - it's just such a bore to see a personal obsession keep on appearing with such regularity in shows which are not about sexuality. It sticks out like a sore thumb, from a man who seems to have issues.
1 comment:
I agree on both counts.
Easily the best Sherlock Holmes I have seen. ( I always thought Basil Rathbone would never be beaten.)
The gay references are tiresome
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