While we're on a theme...

I'm a bit amused to read about how, in times past, professional poets to Irish kings and chieftains had to give some pretty extreme, um, lip service to the boss:

The cult seems rooted in the notion of the poet’s relationship with his royal or chiefly patron being equivalent to a marriage, the two sharing the same bed. The following English translations from the original Irish may be cited. One poet tells his patron that it is no act of adultery towards his wife to “lie with me and my kind”, while another who has fallen out of favour seeks reconciliation by urging: “Let us not refrain any longer from lying on one couch, O fair one.” A 14th-century poet calls on his patron to “proffer your red lips to me, give me a fervent kiss . . .” The same states: “To him [the poet] is due loving favour, the primest [sic] liberality, precedence in counsel, the king’s counsel, the sharing of his bed . . .” Some of the language employed is even more extravagant. Thus, an elegy by Brian Ó Gnímh over the spiked head of Alasdair Mac Donald (1586) runs: “I love the still-unbleached red mouth/Head of silk complexion . . ./ . . . smooth delicate cheek/ . . . fine soft abundant curling tresses/ . . . gaze-holding green eyes . . ./ . . . perfect tresses”.

Whether this should be seen as really, truly gay or not seems to be a matter in dispute:

However, we are cautioned by Prof Pádraig Breatnach that “the guise of ‘spouse’ could be adopted by a poet towards several patrons at once”. The poet’s “full assumption of a feminine role” occurs within terms of an established literary “conceit”, and “we must be wary of drawing hasty conclusions as to his psychology...” A parallel study by Prof Katherine Simms draws attention to the contemporary “traditional role of the poet as in some sense his patron’s spouse or lover”. However, “the bard has no intention . . . of implying a homosexual relationship with his patron . . . Bed-sharing was a general mark of esteem and trust in this society, peculiarly appropriate between a king and his poet.” Both the foregoing base their observations in large part on the earlier work of Prof James Carney.

 The guy who wrote the article goes on to argue "yeah, nah", but who is right I don't know.

I do think it kind of funny though to imagine a 100% straight poet having to gush like that to keep his job.