Again, I find myself in the mood to kind of ignore the rapidly evolving disaster that is the Trump administration, and note (as I usually do each year) that it's Oscar time today. I will go over my poor mood regarding the state of cinema again, instead.
It seems to me that the world is having trouble getting over the apparent fatal blow that Covid and/or the polarisation of American politics has caused to interest in attending the cinema. Or is it that I'm just getting older and getting lazier to going out? (I don't think it's the latter.)
As I said to my daughter a few months ago, the problem with cinema feels a bit like we're waiting for a new trend that simply isn't turning up. In the depressing 70's, you had dark social realism as a thing; by the end of it, though, you had the science fiction/adventure blockbuster era kicking off, which took us through the 80's. I'm not sure, without checking, what the 90's brought us - off the top of my head, we had the best 'serious Spielberg' era (with Schindlers List and Saving Private Ryan, and then in the 2000's his excellent adult oriented science fiction); but overall, I think it was a decent decade with a decent mix of themes.
In the 2000's, I was mostly becoming a father and not going out much, but towards the end was enjoying a lot of kids animation. And then in the 2010's was the peak of the Marvel superhero movies, which I only half followed, but the best were pretty decent.
Now, Marvel and superheros feels well and truly dead, with efforts to revive it spluttering badly. DC superhero movies never appealed that much. And there is a well defined backlash to Disney's culture warring efforts (heavy emphasis on female protagonists and diverse sexuality), which I reluctantly agree is kinda deserved.
One thing I continually feel puzzled about is how Hollywood used to be capable to making mature movies on current US political and cultural issues - yet at the time US politics is most intensely deserving of scrutiny, it seems the political polarisation has killed off interest in doing it. I suspect it may be because there feels like there is no "middle" to appeal to anymore, and if you make a movie slanted to the Left or Right, the polarisation means social media campaigns can kill off a movie's box office so easily.
It's all a pity.