The success of Richard Curtis' output as a writer/director has always puzzled me:
* Four Weddings and a Funeral: why so well received when the romance between the leads happens in such a perfunctory manner? You get a more charming and realistic romance in a fantasy like Groundhog Day.
* Notting Hill: bland romance dominated by Julia's cavernous mouth and Hugh's floppy hair.
* Bridget Jones Diary: ho hum girl's comedy, notable only for an American able to do a British accent. Charmless endorsement of the right of young women to make stupid decisions about who to sleep with.
* Love Actually: haven't seen all of it, but sections seen seem twee and improbable in the extreme. Hugh Grant as PM? Oh please.
* Vicar of Dibley: full of mugging overacting, and
simply not funny. Listening to its laugh track is like watching those 1970's black american sitcoms where the audience goes wild while I sit at home wondering what is wrong with them.
As far as I can see, he's never been involved in anything good since Blackadder, and then only as co-writer.
Come to think of it, the decline of Curtis's talent is strangely reflective of the moral and cultural decline of Britain over the same period.
In any case, at last it seems he's come up with a certified failure. Early reviews for The Boat that Rocked are (mostly) very bad. From
The Times (I should say
Spoiler Warning, I suppose):
The all-male rebels on the boat, plus an honourable lesbian, expend most of their energy on the weekly liferaft of horny Carry On nurses and securing a steady supply of drugs. When it becomes embarrassingly obvious that there is basically nothing worth saving on the ship apart from the fabulous soundtrack, Curtis has the ingenious idea of blowing a hole in the hull and turning his film into a disaster movie. Frankly, it’s too absurd for words.
From
Scotland on Sunday:
a truly Titanic film, in the sense that it is a disappointingly wretched thing that takes ages to sink from sight.
From someone commenting
at Time Out:
This is truly appalling stuff. Do not touch with a barge-pole. Excruciating throughout. The main jokes are that there's a lesbian on the ship and someone has the surname Twatt. Hilarious stuff eh? Proof that Ben Elton was the funny one behind Blackadder.
Retirement beckons, Richard.