Michael Hayworth, a publisher,
complains in a column in The Age today that Australian "classic"novels are forgotten all too quickly by both academia and the public, and many are out of print. But he starts with this observation:
We live in the world of the home-grown literary bestseller, the world of The Slap and The Secret River.
We love our new stars, and celebrate the success of Favel Parrett or
Toni Jordan or Craig Silvey. Our writers have careers both at home and
abroad. We no longer expect our life-changing books to be written in
isolation and despair, against the odds, fulfilling what Henry Lawson
came to believe was the destiny of the Australian writer.
OK, well, I've heard of The Slap because it became a TV series last year that didn't sound all that interesting, and I therefore didn't watch. I have heard the title "The Secret River". I think.
But, sorry, call me completely out of touch with Australia literature if you want, I have not heard of Favel, Toni or Craig. And I even watch First Tuesday Book Club about half the time its on. [Now that I think of it, I can't remember the name of any Australian author who I saw on it last year, except for potboiler thriller writer Matthew O'Reilly (who I also haven't read.) Maybe I only watch the show because I like it when they strongly disagree on the merits of something I'm never going to read anyway.]
Back to Hayworth:
Our universities have failed for more than a century to create any
kind of enduring tradition for the teaching of Australian literature. We
are so familiar with this failure we hardly notice. And our publishing
has always been dominated by British houses, which have not always felt
the need, simply because a book is part of our national heritage, to
keep it available.
In 2011, in not a single course in the whole country were students asked to read Henry Handel Richardson's The Fortunes of Richard Mahony. This is the equivalent of not one Russian university teaching Anna Karenina, of Madame Bovary going untaught in France.
There you go: another Australian author and book, this one a "classic" apparently, which I haven't heard of.
But hang on a minute: "failed for
more than a century to create any ...enduring tradition..." is a bit rich isn't it? By 1900, the country had only been around in any substantial form for a few decades. (Have a look
at this chart, which indicates the white population in 1843 was barely 250,000.) Sure, Sydney University was
founded in 1850 (presumably with very small class sizes,) but people coming here were hardly motivated by the weather making it a nice place in which to write books, and it's hard to imagine University courses of the early 20th century being designed around the works of Henry Lawson (or some such.)
In any event, I'm not entirely sure why Universities need to "teach" modern literature at all, but that's just me a being a not-very-arty philistine, I suppose; even though readers of this blog may think I am more "arts" inclined that I really am due to my reports on the latest weird installations at Brisbane's GOMA. I can see the value in studying (as opposed to merely experiencing) literature from the point of view of what it tells us about societies' and individual's attitudes in the past, and the arc of their development over time; this applies especially to really old literature. But the study of modern literature when there is plenty of other material around about the society it was written in; well, after the first 5 years of analysis of a particularly complex book, I am not entirely sure what more there is to be said or taught, and you could probably now find most of that analysis for free on the net instead of going to university.
Anyhow, Hayworth's complaint about good Australian books being out of print would, one expects, be answered by the increasing use of e-readers. Surely it can't be very expensive to put them out in electronic format, and even develop a specialised field of advertising for formerly acclaimed books which have been out of print for some years.
If the publishing industry can't work out how to do that, Andrew, I'd say it's pretty much their own fault, and I wouldn't blame it on Universities at all.