Boxing Day viewing report

I invited the kids to join me in watching Tintin in 3D yesterday.  (Actually, my son had been waiting for months to see it; my daughter was not so keen, but I refused to take her to the third Chipmunks movie after the dire experience of the second one.)

The big cinema was nearly full, and the audience seemed in a very good mood.  They cheered when the 3D filter was belatedly put on a few minutes after the "please put on your 3D glasses" slide had appeared.   (This delay happened last time I was at Southbank Cinema a couple of weeks ago when we saw Puss in Boots.)  And they seemed to enjoy the movie, as indicated by a smattering of applause at the end. 

But me?  Sad to report, I was pretty underwhelmed.

On the first issue of whether it demonstrated that motion capture has overcome the "uncanny valley":  well, yes, more or less.  But the odd consequence of this is that, if you then use it for characters are "cartoony" in appearance such as the Thompson twins, it becomes rather the equivalent of using real actors with ridiculously obvious prosthetic noses, etc.  The eyes look pretty real: the rest of the face doesn't.  

The other problem in motion capture is still to do with physics.  There is scene in the trailer you may have seen where the Thompson twins are running down the street and one hits a lamp post and recoils backwards.  You can tell exactly how this was done with a wire on the actor from the mere look of the physics.  Motion capture, it seems to me, is an unhappy attempted mix of the freewheeling visuals of cartooning but with a continual and unavoidable connection to the physics of the real world that acts as a restraint on what it can do. I mean, I was more impressed with the imaginative action in The Incredibles than with anything I have seen in motion capture.

I also have a problem with getting any sense of danger in this technique.  I haven't really worked out why this should be so - perhaps it is simply an inability to stop being aware of how it was made - but I feel more capable of feeling completely animated characters as being in danger than I do with motion capture ones.  There is one scene in particular in Tintin which is meant to evoke an Indian Jones style of encroaching danger to the hormonally challenged title character; but for me, it just did nothing.

So colour me unconvinced:  I am really having trouble envisaging ever liking this way of making films.

I also didn't think the 3-D added much, which surprised me, because I thought Spielberg might have novel ideas for its use.  In fact, unless it was just the cinema I was seeing it in, I felt for the first time that it was making the screen darker than it should.  This is a problem that some people have noted about the current technology, but perhaps it is because I have only ever seen computer animated films in it that I haven't noticed any issue with the brightness of the image.   (Yes, Tintin is animated too, but still, it seemed to be murkier looking that I expected.)

Another issue I had with the film is with the screenplay:   I just didn't think it was so clever.   Some of the exposition (with Tintin working out various connections) just seemed clumsy and  capable of being done better.  But part of the problem may be with the source material:  I have never read the comics in detail but they have always struck me as sort of dull.  Sure, they are colourful, and their appeal to many boys is undeniable, but I grew up on Scrooge McDuck adventures in the classic Carl Barks period, and they seem to me to have a more continual element of wit and humour which I couldn't really see happening enough in Tintin.

I wonder if my problem with the screenplay lies with the involvement of Steven Moffat.  Last night, the family watched the Dr Who Christmas Special written by him, and I thought it was awful.

I usually enjoy these specials - even last year's with the flying shark pulling a sleigh had a kind of inspired madness, I thought.

But last night's was just terrible in nearly every respect, except for the fact that Matt Smith does fine with the role.  I mean, the very first few minutes were a warning sign, with the Doctor shown to have an ability to survive and shout for minutes in the vacuum of space.  (There are some breaches of physics in films I am loathe to forgive, even in Dr Who.)  I've grown tired of the Moffat returns to the World War II period, the whole "lifeforce" needing to find a strong person to use as a lifeboat, and that being the mother, was just sort of corny and made no real emotional sense to me.  I didn't even think the acting by the mother was particularly convincing.

I think the episode is just further evidence that Steven Moffat is burnt out with the show and he needs to leave.  (Or even the show needs another break from its current incarnation.)    Oddly enough, many Guardian readers say they did feel moved by the episode.  But on that blog, there are some people who seem to share my feeling that the show has lost its way, and Moffat is probably at the heart of the problem.

So, that's a cranky sounding Boxing Day report, isn't it?   It's not all bad:  my son did enjoy Tintin (although he seemed pretty cool on the Christmas episode too), and my daughter perhaps liked the movie more than she expected.  Even I would say it's not a terrible movie; just a disappointing one with which I disagree with quite a lot of what critics have said about it.

 My hope is that War Horse might be better than Tintin, but it's about a horse.  What a worry.

A fun new past time

We should scour the moon for ancient traces of aliens, say scientists | Science | The Guardian

Paul Davies makes a fun suggestion:

Prof Paul Davies and Robert Wagner at Arizona State University argue that images of the moon and other information collected by scientists for their research should be scoured for signs of alien intervention. The proposal aims to complement other hunts for alien life, such as the Search for Extraterrestrial Intelligence (Seti), which draws on data from radiotelescopes to scour the heavens for messages beamed into space by alien civilisations.

"Although there is only a tiny probability that alien technology would have left traces on the moon in the form of an artefact or surface modification of lunar features, this location has the virtue of being close, and of preserving traces for an immense duration," the scientists write in a paper published online in the journal Acta Astronautica.

The only thing is, they doubt there is much point in using crowd-sourced examination of the photos due to the potential for disagreement over what is or isn't significant. There is also going to be a lot of material to look through:

The scientists focus their attention on Nasa's Lunar Reconnaissance Orbiter (LRO), which has mapped a quarter of the moon's surface in high resolution since mid-2009. Among these images, scientists have already spotted the Apollo landing sites and all of the Nasa and Soviet unmanned probes, some of which were revealed only by their odd-looking shadows.

Nasa has made more than 340,000 LRO images public, but that figure is expected to reach one million by the time the orbiting probe has mapped the whole lunar surface. "From these numbers, it is obvious that a manual search by a small team is hopeless," the scientists write.

Christmas greetings

All jobs can be stressful

Tintin cartoonist Herge: Georges Remi is the subject of two new biographies. - Slate Magazine

The Slate article above gives a very brief outline of Tintin creator Herge's life.

One likes to imagine that making a career out of comics would be good work - doing something you love, in your own studio, that sort of thing.

But it didn't work out that way for Herge, apparently:

As the strain of producing the Tintin strip, as well as other assorted other projects, took its toll on him, Remi suffered an array of psychosomatic symptoms, including outbreaks of eczema and boils, and was plagued by recurring nightmares of whiteness. (Evidently there was nothing more terrifying than a blank page.) Remi seems to have retained an unhealthy distance from his own life, disappearing into his work until the work itself became the problem.

Ah well, being untalented at art has its up side after all.

The short back and sides Son of God

Was Jesus Christ’s hairstyle normal for his time? - Slate Magazine

Well, I don't recall reading about this topic before - what hair length was common for Jewish men in Jesus' time? Seems short hair was more common, hence the popular depiction of Jesus with long flowing locks is thought to have more to do with emulating the image of the old top Roman gods.

Interesting.

Mad scientist update

While everyone is getting slightly worried that scientists have been busy creating killer bird flu, I note on a smaller scale that this photo appears in Nature's slideshow of striking images from 2011:

 And the explanation:

Rats don’t deserve their bad name, but this ball of fury won’t win over many murophobes. Russian scientists bred this aggressive rat strain to compare it with more docile creatures in a study on domestication that has teased out several genetic regions linked to tame traits.

Great.  All we need now is for them to escape and be capable of carrying killer bird flu, and we've got bio-apocalypse for Christmas.

Not exactly Christmas-y

I can't stop talking about movies this week.

Most nerd excitement is directed at the Hobbit trailer, a movie in which I have no interest whatsoever.   At least, I assume, this is the last bit of Tolkien anyone will be putting on screen.

On the other hand, I am kind of interested in Ridley Scott's prequel to Alien, even though it would seem it's a movie very unlikely to have much in the way of a happy ending.  It looks as if it may be visually very impressive, though:

Busier than ever

Christopher Plummer Gets Oscar Buzz - NYTimes.com

Here's a nice interview with Christopher Plummer, whose movie career seems to have really taken off since he turned 70.

I remember his 2008 memoir, mentioned in the interview, got good reviews; and while I am rarely interested in celebrity autobiography, his life sounds interesting.

Shared tastes

A Christmas movie story: from merriest to muckiest | Sarah Hughes | Film | guardian.co.uk

The Guardian film blog notes the best, and worst, Christmas films, and in the process shows I am not alone in certain tastes.

First, it opens with "You already know to avoid CGI Tom Hanks when selecting a Christmas movie..." referring to The Polar Express. I was half watching it the other night when the kids had it on, and it seems from my blog search that I might have previously overlooked commenting on my puzzlement with that movie.

My big, big issue with it, apart from the waxwork manikin look of the people, is the creepy, empty, sort of rococo Stalinist design of the elf city at the North Pole, complete with massed, brainwashed looking elf-dom in the main square that is so reminiscent of a "dear Leader" rally in North Korea.

Who on earth came up with that art design? Is it copying the book, but done on such a vast scale that it changes into unsettling? It doesn't seem to bother children, I admit, but I just can't over the emotionally cold feeling that this gives the movie.

Anyway, back to the Guardian: I tend to agree with those that I have seen of the "best list", although I have to admit to having never seen It's a Wonderful Life. I don't know how this has happened, but it doesn't seem to be repeated all that often in this country.

In the "worst" category, the problem is that everyone (including me) knows to avoid bad Christmas movies, and most never made much money. But it does start with this view of Richard Curtis:

I toyed with including Love Actually but decided that my near-pathological hatred of Richard Curtis counted as bias

Well, there you go, I am indeed not alone.

In fact, the biggest worry by far about Spielberg's War Horse movie is that Curtis is a co-writer! This movie is getting to be classic example of intensely mixed feelings: Spielberg adapting a successful book and play - but it's about a horse and has Richard Curtis. The old joke about a mother-in-law driving a husband's Mercedes over a cliff has nothing on this.

Final destinies

Hitchens and Hell - NYTimes.com

Ross Douthat (gee, I can never remember how he spells his surname) takes the death of Christopher Hitchens as an opportunity to talk about the mysteries and divisions in Christianity regarding "salvation theory". I've always been partial to the "hell as purgatory for most people" theory of CS Lewis.

Duty fulfilled

An Interview With Steven Spielberg - NYTimes.com

I consider it my duty to note interviews with Steven Spielberg, especially when it is another unusual year when there are two of his products out at the same time*. (To be honest, he doesn't say anything all that interesting, though.)

War Horse is getting pretty good reviews, but not universally so. This may be a good sign: some Spielberg films have been over-praised, most notably Saving Private Ryan, and that can lead to a sense of disappointment.

But it will be an achievement if Spielberg can get me to cry at a horse movie. Ugh.

In other movie news: Mission Impossible: Ghost Protocol is great. Brad Bird does turn out to be a good action director, as I had predicted. The movie has a lighter tone than all of the earlier ones, but it works. My wife (and even my son) felt it was a bit tiringly over-frenetic, but I really just found myself wanting to watch it again to note the action more carefully. And I probably will.


* it is reminiscent of the grand year of 1982, when both ET and Poltergeist (OK, he only produced and co-wrote that one, but it was rumoured he may have done a bit of directing on set too) were both at the Forum twin cinema in Albert Street in Brisbane. I told friends that I was going to go there in a robe and with a censer (the incense burning thing in a Catholic church) to give honour to the significance of this event. (I am inordinately fond of Poltergeist as well as ET.) My failing to do so resulted in the cinema closing down and being turned into a very nice Borders store, which now sits empty.

Roger is Green

Bryan Appleyard - Scruton: the Right Wing Green

Bryan Appleyard talks to and about Roger Scruton, who turns out to be rather Green.

Unfortunately, this brand of conservatism (you know, the responsible type) is still far from the current shores of the US, and even Australia.

Bye bye Kim

Changing of the guard is no relief for long-suffering North Koreans

Hamish MacDonald's summary of how North Korea has operated seemed worthwhile to me.

Referral

A very jolly Julia Gillard Christmas greeting may be found at Dodopathy.

"Hating" Hitchens

Christopher Hitchens’ death: David Corn on sharing a tiny office with Hitchens. - Slate Magazine

Nearly everyone is sad to see the loss of Christopher Hitchens. He was a great essayist even if you did not agree with him on everything (and, frankly, there are probably very few who could do that.)

This account by David Corn about what it was like working with him in a tiny office in the early 1980's is quite amusing and affectionate.