The legendary Viking warriors known as berserkers were renowned for their ferocity in battle, purportedly fighting in a trancelike state of blind rage (berserkergang), howling like wild animals, biting their shields, and often unable to distinguish between friend and foe in the heat of battle. But historians know very little about the berserkers apart from scattered Old Norse myths and epic sagas. One intriguing hypothesis as to the source of their behavior is that the berserkers ingested a specific kind of mushroom with psychoactive properties. Now an ethnobotanist is challenging that hypothesis, suggesting in a recent paper in The Journal of Ethnopharmacology that henbane is a more likely candidate.Henbane is a flowering weed that grows in Scandinavia, that had been used for some time:
It's been around since ancient Greece and has been used in various cultures throughout history as a narcotic, painkiller, cure for insomnia, and anesthetic. It's a common treatment for motion sickness and can produce short-term memory loss. It can knock out someone for 24 hours, and in rare cases henbane can lead to respiratory failure. It's also been investigated as a possible truth serum. Henbane even found its way into early European beers, gradually being replaced with hops after the passage of the Bavarian Purity Law in 1516.Those characteristics don't sound rage inducing, but who knows:
Fatur argues that while both the mushrooms and henbane could account for increases in strength, altered consciousness, delirium, jerking and twitching, and red face commonly associated with the berserkers, aggressive rage is not common with the mushroom. Fatur cites several cases involving angry behavior associated with plants related to henbane, containing the same alkaloids.All rather speculative.
Speaking of vikings, I am close to booking a ticket for next year's Ring cycle in Brisbane. My "best" choice, for the cheap tickets left, is either to be sitting on the top balcony in the back row; the top row down the side and near the front but with some form of view restriction; or in the stalls right near the stage with a restricted view that means I may not see all the words on the surtitle.
I can't work out if it will be better to be near the front and being fully immersed in the music, but not knowing what they are singing; or up in the stratospheric second balcony and being able to see everything, at least if I use opera glasses.
Either way, perhaps if I take henbane before the performance, it will be particularly memorable.