Back to the Apocalypse

I saw Apocalypse Now back in the cinema in 1979, and felt a bit so-so about it.  Last night, I re-watched it for the first time, but this version (on Netflix) is Apocalypse Now Redux - essentially an extended director's cut version that I didn't remember had come out in 2001.  It runs for an extra 49 minutes (!)   Wikipedia talks about it here.

I can give myself a pat on the back for having identified while watching it the key additional sequences even though it's been nearly 30 40 (!) years since viewing the original.   But what did I think of it overall?:

*  Of the additional material, I think only bit one really works - the surfboard theft. 

*  There seems to be much more pondering by Willard (Martin Sheen) on the boat about Kurtz's career, and that's OK, except it all seems a bit wasted by the time Kurtz turns up, as I don't think the problematic final section of the film has much added to it.  (See more below.) 

*  The French plantation sequence is absolutely awful:  it kills the momentum stone cold, and has a cheesy romantic interlude accompanied by awful music and no emotion.   It's incredible to think that that Coppola  even thought it played well on paper - but then again, the movie was driving him nuts, so his judgement was probably way out at the time.   Even so, why put it back in now?   I suppose it's interesting, to see what makes the cut and what doesn't in a final release, but it's a curious thing to throw in additional parts which I feel pretty sure the vast majority of people will say were always best left on the cutting room floor.

*  As for the other extended sequence - involving the boatcrew finding the Playmates who had been in the surreal concert in the jungle in a marooned camp (and having their way with them - sort of) feels very wrong for other reasons.   As my son (now 18) said "it's a bit rape-y", and indeed it feels that way;  but what's more, Willard setting it up doesn't seem to make sense with the rest of his character in the movie.   That the Playmates appear to have gone nuts plays into the whole "madness increasing the further up-river we go" theme of the film, but it still feels very ill conceived and inappropriate. 

*  In hindsight, the early helicopter attack scenes play more impressively than ever, for their no-CGI realism  - my son noted that too.  I kept thinking about how dangerous so much of it looked, with helicopters continually landing so close to actors, and with Vic Morrow's death via Hollywood chopper in 1982 now in mind too.

*  But overall, nothing changed my opinion about the movie's ultimate failure:  the lack of insight into Kurtz's mind once Willard finally locates him.   Where there should be more clarity about his madness - or ironic lack thereof - and what he thinks he's now doing, there's just mumbo jumbo in the dark, and a bit of shock value and a faux attempt at depth involving a poor cow.  The film's most obvious possible interpretation, that Kurtz is really no madder than the insanity of the war, or other military leaders in it, has never felt satisfactory to me in the absence of an explanation of what's going on with all of the killing within his jungle hideout.     

Reading about the original version on Wikipedia, I see that it seems to have increased in critical reputation since it was released.   But, even ignoring the new sequences, I don't retract my original opinion that it's  about 3/4 of a great movie that threw it all away in the last act.