Monday, September 23, 2024

Should I go to the Ninth?

I see that the Queensland Symphony Orchestra is putting on Beethoven's 9th Symphony in November.  It seems to me that it is pretty rarely performed these days, and I suspect the orchestra knows that putting on the infrequently played big classics attracts an audience, as they have 3 performances for sale - on two evenings and a Saturday afternoon.   Actually, I see now that they are not doing a Christmas performance of The Messiah this year (they did it at Easter instead), so they are probably seeing if the semi-religious reputation of this piece is a successful replacement.   Still, they would only do The Messiah once at Christmas, so running the 9th for 3 performances is still pretty surprising to me.

Should I go?   I'm not at all familiar with it, apart from having heard the orchestral version of the "Ode to Joy" final movement a couple of times.   (Even then it was probably only on TV.  I remember watching it with my late father, probably as a teenager, and both of us being a bit disappointed that it's not really much like the sped up 3 minute pop versions that have been popular over the years.)

The question is therefore what are the other three movements like, and should I listen to them before the concert, as I did when I had years - due to Covid - to get ready for the Ring Cycle.  

I see from Googling the topic that not everyone enjoys it - there is a Medium essay about a person who complained about 100 years ago that its popularity is undeserved (although by the end, it sounds like it was a bit of a troll too):

On July 21st, 1927, an anonymous person going under the name “J.M.C.” sent a scathing review of a recent performance of Beethoven’s Ninth Symphony by the New York Philharmonic into the newspaper The World. In this review, JMC begins by describing how bored the audience looked while the piece was being performed, with many members supposedly whispering, looking around, and reading through the programs. JMC’s claims don’t end here, as they then assert that the piece is simply one that “everybody praises and nobody likes” and that it is only famous because people see it as profound because of its religious themes, especially given that he did not believe that Beethoven was not particularly religious otherwise. They maintain that people only go to concerts because of a feeling of religious obligation and the idea that they must conform to those around them. They end, quite exaggeratedly and obviously satirically, with the statement “I move you that a law be passed making performances of the Ninth Symphony illegal. It is an affront to the memory of Beethoven to keep playing it over year after year”.
On the other hand, someone on Reddit writes:

The Ninth embodies the best of Beethoven's work. It's a musical journey that enraptures you. I first listened to it when I was 12 and just beginning to explore "classical" music. At the time, I thought the Ninth Symphony was just the Ode to Joy melody. To my surprise, when I popped the CD in and started listening to the first movement, I heard something altogether different. It was one of those pieces that forced me to sit down and listen intently, partly because I was looking for the melody I had originally wanted to hear, and partly because I was so intrigued by the music and its twists and turns as it developed and recapitulated themes throughout in ways that still surprise me when I listen now.

 I think I should probably go see it....

4 comments:

John said...

I have a version of the 9th that is magnificent. My sister attended a concert of the 9th. and she was in tears. Do it Steve.

TimT said...

Yes. Yes, you should.

TimT said...

Obviously the last movement is the one everyone remembers, the bit that is 'iconic'. Still, it's hard to listen to a single movement in that symphony and think that Beethoven was going wrong here. There's a good deal of noodling in some of his earliest symphonies, but not here.

Steve said...

OK, I'm convinced. Now my main uncertainty is to see whether they will have trouble selling tickets and run a sale. It is three performances, after all...