The culture wars in publishing

I enjoyed reading this lengthy piece in The Guardian on the weekend, about a controversy in England over a particular book that got caught up in the PC culture wars.  It also talks about book publishing generally, and this section caught my attention:

What’s often portrayed as a generational divide, pitching “woke” young millennials against an ageing establishment, is in reality not so simple. Like the arts and academia, publishing is historically left-leaning and tends to attract the idealistic and value-driven at all ages. But it’s also dominated by recruits who can afford to do unpaid internships and move to London. The net result, this publisher argues, is an intake of privileged graduates anxious to compensate for their privilege, and growing resistance to publishing conservative voices they might disagree with. More than one industry source dates these tensions to Brexit and the rise of Donald Trump leaving many younger staff in particular keen not to fuel what they see as dangerous fires.

Last year, more than 200 employees at the US publisher Simon & Schuster signed a petition urging the firm not to publish a memoir by Trump’s vice-president, Mike Pence. Similar protests followed across the industry over books by the rightwing philosopher Jordan Peterson and “alt-right” activist Milo Yiannopoulos, while in Britain some staff at JK Rowling’s publisher, Hachette, were unhappy about working on her children’s picture book, The Ickabog, in light of Rowling’s views on trans rights.

The authors of the two big gender-critical feminist books published last year in Britain, Helen Joyce’s Trans: When Ideology Meets Reality and Kathleen Stock’s Material Girls, have both described battling to get published in Britain, and neither got US publishing deals. Caroline Hardman, the literary agent who originally approached Stock and suggested she write the book, stresses it is not uncommon for multiple editors to reject a title before one accepts it, but confirms that several editors passed on it. “Some people were saying, ‘Nobody will buy it; there’s no interest in this topic.’ But that wasn’t what I was seeing in my life – there was this groundswell of grassroots feminism and I had become aware of the Gender Recognition Act consultation [on making it easier to self-identify as trans]. I was thinking, ‘This is a really big thing,’’’ she says. “I did have some people who were interested, but knew they would get backlash internally.”

Eventually, Joyce’s book became a bestseller for Oneworld.