Careful readers - or at least Tim T - will recall that I was off to see a performance of (amongst other pieces) Richard Strauss's
An Alpine Symphony on Saturday night.
What a blast that piece of music is - a 50 minute, single movement musical rendering of a hike through the Alps, with an afternoon thunderstorm and all. The normal Youth Orchestra (playing at QPAC) was boosted by extra brass, the huge organ in the concert hall (which I had never heard played before), not one but two harps, and extra percussion stuff (cowbells, sheet of metal, rolling barrel thing for making wind sound) all crammed in onto a completely packed stage. Not only that - at the end, a bunch of extra brass players came on stage
to take a bow - I didn't know where they had been, but my daughter
explained later that they had played off stage to create a certain effect (!). It was, quite likely, the biggest assembled orchestra I have seen, in fact.
So, there was certainly no lack of volume: it blasts away at times with something approaching rock band volume, which made for quite a different experience from the normally restrained volumes of most classical pieces at that venue.
Interestingly, though, I read in the program that the piece when first performed was not overly enthusiastically received, with some saying it was too "cinematic". I get the impression that the less-than-completely-enthusiastic reception to certain works of famous composers is not an uncommon thing in classical music history - I assume Tim knows about that more reliably than me. Anyway, more explanation about the symphony is set out in this
neat piece at The Conversation, if anyone is interested.
So, after feeling entertained by this Germanic power classic, I was reminded that Wagner's Ring Cycle is coming to Brisbane next year, and I have found out that C reserve seats up in the balcony stratosphere are $380 for the entire cycle.
Now, I have never been to an opera in my life, and it would be kind of ridiculous to start my experience of them with (as the QPAC website explains)
a 15 hour epic performed over 4 nights. But hey, it's the very ridiculousness of the idea that is perversely tempting me to do it. And when you divide the cost into the hourly rate, it's quite the opera bargain! (At least for the cheap seats - the premium ones are $2,200. I trust that a glass of champagne before and during intervals might be included in that.)
I heard someone from (I think) Opera Australia spruiking it when it was announced, and he was saying that it sounds like a heavy experience, but it really isn't - he claimed that he has had so many people say to him at the end that they could happily go back and watch it all over again. He called it a "life changing experience", which seems a bit of an opening to making a Hitler-ian joke about it making people want to invade neighbouring countries, but I am sure that is not what he meant.
Anyway, I have my doubts I will do it, but I am (at least a bit) tempted.
Update: I should have guessed - there are lots of amusing takes on the net about what it is like to go through the Cycle. I think ClassicFM's
The 18 Stages of watching Wagner's Ring Cycle is pretty funny. More encouraging, and still witty, is
How Crazy Do You Have to Be to Sit Through 15 Hours of Opera. On a more serious note, but still with the occasional funny line:
The director Achim Freyer once informed me that sleeping during Wagner simply means listening on a different level.
is this
piece at the Washington Post.