Public service announcement from the Republican Party

(There's a near 100% chance that someone else has already done this on Twitter, but I haven't seen it yet.)

A small Hollywood story

One of the few entertainment industry persons I follow on Twitter is Ed Solomon, who wrote Men in Black, amongst other movies.  (He did the Bill & Ted adventure movies too - the third of which has just been released to mostly favourable reviews.)

He reminisces about the MIB movie quite a bit, and how it changed from his initial ideas after discussion with director Barry Sonnenfeld (whose taste in comedy has also appealed to me across quite a few movies).  Anyway, this tweet amused me:

 
I have to say, I remember when I first saw MIB at the cinema, this reveal really did strike a particular note of pleasure because of the way it reminded me of science fiction-y fantasies I sometimes imagined as a child.   I am sure it is a key part of the reason why the movie has been regarded with deep affection by so many people.  

Pop culture notes

Well, I can only welcome this news:

You see, to annoy my son, who feared the Youtube app on the TV would be flooded with K Pop recommendations, I watched the Dynamite clip twice in the last week.  (I wanted to see it anyway, to see why it became the fastest instant hit in Youtube viewing history.)

Ignoring the aspect of the deliberately androgynous styling of some (or all?) in the group (and also ignoring the terrible, exploitative conditions that apparently most K Pop group members have to work under), I think the song is pleasant enough pop, and sounds to my ear rather Bruno Mars-ish.   (My daughter agreed when I pointed this out.)  It is, at the very least, harmless.

Which is more than I can say for the that WAP song, which I could have ignored if it weren't for noticing the ill advised entry of annoying twerp Ben Shapiro into criticism of it.

Apart from what whiny conservative male voices (and in the case of Shapiro, I mean that very literally) have had to say about it, there has been a broader discussion of the dubious merits of "feminist empowerment" by trash talking and acting as badly as men.  See this thread in Reddit for example:

It's had 1,600 or so comments, which is good. (Mind you, a lot are trying to change her mind.)

Anyway, it's good to see that happy, all ages friendly K Pop should have knocked ultra sleazy, surely- you-do-not-want-your-daughter-(or-son)-thinking-of-sex-like-this WAP off the top position.   (No sexual pun intended, either.)

Going back to K Pop:  while I think I made some comment here a few years ago that it seemed that K Pop was really upping the androgynous style, I see that the topic of why this is a thing has been discussed on line for years.

Someone speaking in an article in 2013 suggested this, and it sounds more-or-less plausible:

I think that, according to Western expectations of gender, the overwhelming majority of male K-pop idols would be considered androgynous. But I don’t know that that has to do with K-pop challenging the gender binary. I think this has a lot to do with the “objectifiability” of K-pop idols, as is the fetishization of cuteness. Part of femininity as a social construct in nearly every culture are passivity, perceived weakness, harmlessness, and allure based on the preferences of the observer. And, of course, with cuteness, you have a performance of childishness, a major feature of which is a lack of agency. K-pop idols are someone else’s moneymaker whose worth is based on the ability to be non-threatening fantasy fodder for their audience, which translates into money spent. No wonder nearly EVERYONE in K-pop is what the West would consider hyper-feminized (women, too). This isn’t unique to K-pop. Teen heartthrobs in the West tend to be more feminine, as they have to appear innocuous and available for objectification too.

An article in 2018 notes:

That wasn't always the case. In the 1980s and 90s the salaryman was the prevailing male aesthetic. Suits, luxury watches and a traditional strong male look were the norm. Korea has mandatory national service and that moulded and defined what men thought would look appealing.

"In the 80s and 90s, men in Korean pop content were largely portrayed as tough guys in gangster and detective films, and rebellious young men in some TV dramas," says Sun Jung, the author of Korean Masculinities and Transcultural Consumption.

But all that changed in the mid-1990s when music group Seo Taeji and The Boys came onto the scene, says Prof Elfving-Hwang. They used rap, rock and techno influences and incorporated English language into their music.

They kick-started fan culture which has now become a major force in the music industry, she says.

Then followed the big entertainment companies churning out K-pop girl bands and boy bands, and their influence has been like nothing before it.

Yes, well, it is interesting to wonder how much of this is driven by the entertainment companies dictating taste.  More from that last article:

"Compared to the 80s and 90s, now there are a lot more soft masculinities - pretty boy images and gentle male images - represented in media, and consumers welcome and widely consume them," says Dr Sun Jung.

They came to be known as Khonminam - combining the words for flower and a beautiful man. She says it takes inspiration from similar concepts in Japan of bishonen or beautiful boys and Shojo manga - girls comics.
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But it's not feminine.

"I think the phenomenon should rather be explained through the notion of hybrid or versatile masculinity - soft yet manly at the same time - which is different from effeminised," says Dr Jung.

She cites Song Joong-ki, the star of hugely popular Korean drama "Descendants of the Sun" as the embodiment of this. He may be a khonminam in his look, but as a special forces captain in the military he is also a tough guy.

It goes on to discuss beauty products aimed at young men too, and God knows that there are a lot more of that on the shelves of Japan than Australia.

Anyway, I still think it is all pretty peculiar - a culture specific fashion trend that has been around for longer than I would have expected; even though, as noted above, Western acts aiming at a teen female audience have long de-emphasised masculine features too.   But it's as if something of dubious fashion merit, like 70's glam rock, perhaps, lasted 20 years instead of (what?) 10?   

Up, through the at-mos-phere, up, where the air is clear...

Gawd, you would have felt sick to the stomach if you saw this live, but it all has a happy ending:

Tweets noted

Actually, I am less pessimistic than the last tweeter, but I could be proved wrong....

A useful summary

My only quibble - 5 decades seems a tad longer than I thought:

Particularly apt illustration for how the Bird brain, such that it is, works

Poor reviews

My impression from Twitter is that not only did all liberals think that the Trump speech was flat and way too long, but so did the frequent Trump apologist Brit Hume on Fox.   I assume that it really was flat, then.  (I saw bits and pieces, and it is no surprise to me that it is getting this sort of comment.)

Yet look at the headline on the Washington Post on line headline:

which gives the impression that it was an energetic speech.

I am very much on side with those media critics who are getting ropeable again that the mainstream press is not doing more caning of Trump for his abuse of his position, but are "two sides-ing" the parties again.

What have they got to lose by calling out a wannabe dictator as a wannabe dictator?  He already tells his followers they are the "enemy of the people" - itself an extraordinary undemocratic and dangerous attitude that should never have been normalised by resigned acceptance of its repetition.

To be clear:  the Washington Post routinely carries pages of strong Trump criticism, including of this speech.   But it shouldn't be giving a false impression in its main headline choice.  

Unsubtle symbolism

So, not only did a President use the White House and the Presidential seal for a party political convention, he also got to use a huge amount of (I assume) public land to launch a 4th July worthy fireworks display around the most obviously phallic monument in America.   

(Look, I don't normally think of the Washington Monument as phallic, but in the context of a narcissistic, trash talking, thinks-he's-real-masculine-but-probably-needs-Viagra President, I don't think this is an unwarranted take on the symbolism.)  

Update:  Heh -

Encouraging violence for political purposes

Good article at WAPO about how it is 100% clear that Republicans have no incentive to hope that community violence calms down rapidly, as it suits them politically:

At the Republican convention, one speaker after another claimed America’s cities have descended into chaos, which is not the fault of the current president but shows how much worse things will get under Biden, who is a supposed captive of radical forces unleashed inside the Democratic Party.

Some on the right are so convinced this will be effective that they haven’t shied away from cozying up to vigilante violence. Speaking about 17-year-old Kyle Rittenhouse, a Trump supporter who traveled to Kenosha with his AR-15 and has been charged with killing two protesters, Fox News host Tucker Carlson said: “How shocked are we that 17-year-olds with rifles decided they had to maintain order when no one else would?”

That’s extraordinary, not only for its seemingly understanding tone toward the alleged vigilante murder of protesters but also in its depiction of a country in total civil collapse.  And while the Trump campaign distanced itself from the killings, this points to an extraordinary level of confidence (or feigned confidence) on the right in the power of all this imagery to help Trump.

Apparently, Biden has been making the point about the cynicism of this, but not enough are hearing it:

For instance, on MSNBC Thursday, Biden responded directly to Vice President Pence’s claim at the convention that “the hard truth is, you won’t be safe in Joe Biden’s America.” Biden said: “The problem we have right now is, we’re in Donald Trump’s America.” Biden added that Trump is “rooting for more violence, not less.”

The “Donald Trump’s America” formulation makes the simple point that Trump is the problem. Trump promises only more violence and searing divisions because he thinks those things are good for him and he doesn’t care about anyone but himself.

But he has to push harder as being the one capable of bringing calmer times:

Biden has repeatedly condemned the violence, of course, despite all the lies to the contrary. And the Biden bet is that he’s intuitively understood as a creature of the center, giving him more leeway to speak frankly to the country about how systemic racism and police brutality unleash rage and grief that is understandable and calls for serious reform — and that voters are sophisticated enough to hear this.

Central to that bet, though, is the idea that Trump is widely seen as a uniformly destructive, instigating, malevolent force. This provides an opening for Biden and Harris to argue that their offer of balance — taking the protesters’ grievances seriously while condemning violence — holds out the promise of peace, where Trump only offers more chaos and devastation. And Conway just helped Democrats build that case.

 

Presenting live from the White Palace, King Trump, watched on by Prince Don, Prince Eric and Princess Ivanka

Update:

Come on, Biden

I've been saying this for a while, but with the latest escalation in violence related to a police shooting, why isn't Biden doing a speech for national TV calling for calm and addressing specifically how the situation should be addressed.

A federal government cannot solve all of the problems, but he can make sensible proposals and call for national unity to de-escalate the situation.     All Trump and his supporters are doing is telling people there is no significant problem with policing and race, and encouraging more rednecks to join in.   Biden ought to be able to make political gain as being the one who can help calm the nation.

Military event noted

I've read some tweets about Melania Trump's robotic, look at the audience as little as possible, speech in the newly de-flowered and de-tree'd Rose Garden, and still haven't seen anyone saying how her dress looked a lot to me like a version of a khaki military coat.  Surely someone else has noticed:

I would say it suited the whole Our Glorious Leader is Endorsed by the Military vibe of the proceedings, which many are noting is inappropriate if not actually illegal.

Steve Kates would be drolling in his porridge in excitement, though, I bet.

A broken blog

Huh.  If I am not mistaken, Sinclair Davidson's Ship for Old (and occasionally middle aged) Fools (Catallaxy) is broken.  It hasn't worked completely right for many weeks, actually.  

In any event, it's become pretty much unreadable since COVID struck - full of rage against Dan Andrews, continual denial of the seriousness of the disease, the most grovelling Trump admiration, and even internal fighting over whether some of the most hysterical commenters have really gone too hysterical this time.   Not to mention one younger nut who posts about his personal involvement in the "resistance" to the Victorian lockdown, but sounds half the time like he's on cocaine.   Didn't some anti lockdown protesters get arrested yesterday?  With any luck, he will be among them.

Sinclair doesn't make many appearances anymore so I don't get much fun from attacking his dubious takes.   The site now looks more like it's "CL and Friends", and the circle of commenters is narrower and more boring than ever.  I don't even read the posts by the other cranky, anonymous posters - they all sound like grey haired male retirees with too much time on their hands.  

So, the entertainment value is way down.

Donald will be annoyed

Viewing numbers for the American political conventions shouldn't matter much either way, except when you can take pleasure in knowing that the Narcissist in Chief will be telling his minions he doesn't want to see headlines like this again:

Democrats beat Republicans in first-night convention TV audience

Travel wishes

I have decided that Portugal seems well worth visiting.  I saw some ponderous young Vlogger on Youtube call it the most underrated country he has been to, but also Richard Ayoade's visit to Porto on Travel Man sparked my interest.

I also want to go to Norway, but that's a more long standing wish.  I should look up travel vloggers' trips through there on Youtube, too.

On calories

You know, it seems to me that Twisties (cheese flavour) have a lot more calories in them than the weight would suggest.  

Maybe it's in the cheese powder? 

Which has made me realise - how do they make cheese powder?   Here's an article in the New Yorker (of all places) about that.   It includes this bit of history:

While Marco Polo reportedly encountered a type of powdered milk in thirteenth-century Mongolia, and the first patent for commercial spray-drying was awarded to Samuel Percy in 1872, the first industrial spray-dried dairy products weren’t manufactured until shortly after Kraft’s development of processed cheese in the nineteen-twenties, according to “Food Powders: Physical Properties, Processing, and Functionality.”

Huh.

 

Uncle Roger power move

The most recent "Uncle Roger" bits on Youtube aren't really going anywhere much, but I'm still watching.  This amused me on Twitter, though, from some random person talking Chinese uncles:

Even unhappier than I knew

I see that it was waaaay back in 2011 that I posted about an interview in which the normally happy looking comedian Alan Davies explained that he had in fact been in psychotherapy for years as a result of an unhappy childhood, with the main problem being that his Mum died when he was 6, and his controlling father kept him from saying "goodbye", and the funeral, or even the grave. 

Now, it turns out, he says he was sexually assaulted by his Dad, who is still alive but with dementia.

I'm a bit surprised by this, because I have watched on TV some of a stand up show he was doing (as usual, I didn't like it much), and he did reference some boys at his boarding school and their enthusiasm for, um, demonstrative masturbation.  I find this a little hard to imagine in an Australian context, but yes, this is in England, where "boarding school" and "sexually inappropriate behaviour" go together in what seems to be a peculiarly national tradition.  So it's a bit  odd to me that he would be getting laughs out of that when sexually abused at home.   Not saying it didn't happen, just surprised.


But anyway, once again I ask:  what percentage of comedians actually come from a happy family background, no great disasters in personal relationships, and no addiction or bouts of depression?  Seems like it must like 2 or 3% of them.   (Jerry Seinfeld being the stellar example of "nope, everything's been pretty good for me, really.")

PS:  while I am having a day of just saying what I do and don't like - have I mentioned before that I can't stand English comedian Jimmy Carr, who turns up on SBS ads for his unfunny panel show all the time?   Don't find him funny, or likeable, at all.  


*  not referencing a technique.

Speaking of movies I didn't care for...

I don't think I have mentioned, sometime over the last year or so, having watched the American re-make of the Japanese ghost/curse story The Ring.   It was just OK-ish, my son and I thought; but we both found The Grudge (the English remake, but still set in Japan) much scarier.

Anyway, I saw on Google Play that the original Japanese Ring, or Ringu, was available, and thinking that the trailer looked sufficiently creepy, we decided to watch it.  

It was, shall we say, underwhelming.  At first, it was close to the American re-make, but then it veered off somewhat.   But it's really surprising watching a movie regarded (according to reviews) as being "the most disturbing since The Exorcist" and not being very scared at all. The creepy factor in some movies seems to really diminish quickly over time.

As it happens, I have never watched all of The Exorcist, but from bits I have seen, quite some time ago now, I have warned my son that it almost certainly looks more silly now than disturbing.  

Anyway, back to Japanese ghosts:  Netflix has recently put up a series from Japan (Ju-On Origns) which is the backstory to The Grudge movie.  Looks like the same house.   Oddly, though, it is only 30 minutes an episode, which is barely enough to get a good scare going.   We watched the first episode last night, and I thought it was worth continuing with.  Yet it has had some very bad reviews, and some good ones.  It was pretty dark in the first episode:  it apparently gets much worse.

I guess I will stick with it, for now...